1 00:00:17,583 --> 00:00:20,540 Soon after its premiere, the film Metropolis 2 00:00:20,666 --> 00:00:23,749 was severely truncated and alterations were made. 3 00:00:23,875 --> 00:00:26,915 From that time onward, more than a quarter of the film 4 00:00:27,041 --> 00:00:30,124 was assumed to have been lost. 5 00:00:30,250 --> 00:00:33,332 Then, in 2008, a virtually complete version of the film 6 00:00:33,458 --> 00:00:36,540 was discovered in Buenos Aires. What had been preserved 7 00:00:36,666 --> 00:00:39,749 was, however, a heavily damaged copy of the film 8 00:00:39,875 --> 00:00:42,915 that had been printed to 16mm film stock, 9 00:00:43,041 --> 00:00:47,207 lacking the full frame of the picture's original aspect ratio. 10 00:00:47,791 --> 00:00:51,707 A considerable amount of the film reconstruction was able to be completed 11 00:00:51,833 --> 00:00:54,207 and the correct sequence of its editing 12 00:00:54,333 --> 00:00:57,124 established by means of this Argentinian material. 13 00:00:57,250 --> 00:01:00,249 Spanish intertitles have been translated into German 14 00:01:00,375 --> 00:01:02,374 with the aid of the censor-cards. 15 00:01:02,500 --> 00:01:06,415 In order to display in their correct position on the image 16 00:01:06,541 --> 00:01:09,332 the cropped elements taken from the 16mm negative, 17 00:01:09,458 --> 00:01:12,290 the missing portion of the frame has been marked by black. 18 00:01:13,083 --> 00:01:16,832 The intertitles appear with their original graphic treatment. 19 00:01:16,958 --> 00:01:20,790 Those titles which appear in a different typeface (like the one used here) 20 00:01:20,916 --> 00:01:24,374 have been added to summarise the content of still-missing scenes 21 00:01:24,500 --> 00:01:26,332 as far as is necessary to facilitate 22 00:01:26,458 --> 00:01:28,707 an adequate understanding of the storyline. 23 00:01:28,833 --> 00:01:31,957 Shorter gaps are indicated by small segments of black leader. 24 00:01:32,250 --> 00:01:39,290 This film was produced by Ufa and is distributed courtesy of Parufamet. 25 00:01:39,583 --> 00:01:44,957 Direction: Fritz Lang. Scenario: Thea von Harbou. 26 00:01:45,250 --> 00:01:48,874 Production Design: Otto Hunte, Erich Kettelhut, Karl Vollbrecht. 27 00:01:49,000 --> 00:01:52,707 At the Camera: Karl Freund, Günther Rittau. 28 00:01:53,000 --> 00:01:58,790 Music: Gottfried Huppertz. Sculptor: Walter Schultze-Mittendorf. 29 00:01:59,083 --> 00:02:01,415 Metropolis, a novel by Thea von Harbou, 30 00:02:01,541 --> 00:02:04,624 appeared in the publication Illustriertes Blatt, Frankfurt, 31 00:02:04,750 --> 00:02:07,374 and in book form from August Scherl Verlag G.m.b.H. 32 00:02:07,666 --> 00:02:10,499 The personages in the film: 33 00:02:10,625 --> 00:02:13,457 Joh Fredersen - Alfred Abel 34 00:02:13,583 --> 00:02:16,999 Freder, Joh Fredersen's son - Gustav Fröhlich 35 00:02:17,125 --> 00:02:20,540 Rotwang, the inventor - Rudolf Klein-Rogge 36 00:02:20,666 --> 00:02:24,082 The Thin Man - Fritz Rasp Josaphat - Theodor Loos 37 00:02:24,208 --> 00:02:27,040 11811 - Erwin Biswanger 38 00:02:27,166 --> 00:02:30,582 Grot, the guardian of the Heart-Machine - Heinrich George 39 00:02:30,708 --> 00:02:34,457 The Creative Man The Machine-Man 40 00:02:34,583 --> 00:02:38,332 Death The Seven Deadly Sins 41 00:02:38,458 --> 00:02:42,332 Maria - Brigitte Helm 42 00:02:42,625 --> 00:02:45,207 Epigraph: 43 00:02:45,333 --> 00:02:50,915 THE MEDIATOR BETWEEN HEAD AND HANDS MUST BE THE HEART! 44 00:03:58,000 --> 00:04:01,290 Shift change. 45 00:05:19,208 --> 00:05:22,332 Deep beneath 46 00:05:22,458 --> 00:05:25,999 the earth lay the 47 00:05:26,125 --> 00:05:30,207 City of the Workers. 48 00:06:39,916 --> 00:06:45,499 As deep beneath the earth as the City of the Workers lay, 49 00:06:45,625 --> 00:06:51,249 so high above it towered the complex known as the "Sons' Club", 50 00:06:51,375 --> 00:06:56,957 with its lecture halls and libraries, its theatres and stadiums. 51 00:07:30,041 --> 00:07:34,374 Fathers, for whom every revolution of a mechanical wheel meant gold, 52 00:07:34,500 --> 00:07:39,249 had bestowed upon their sons the wonder of the Eternal Gardens. 53 00:07:58,833 --> 00:08:02,165 Which of you ladies shall today 54 00:08:02,291 --> 00:08:07,124 have the honour of entertaining Master Freder, Joh Fredersen's son? 55 00:10:46,291 --> 00:10:50,415 Look! These are your brothers! 56 00:10:53,000 --> 00:10:55,832 Look - ! 57 00:11:03,083 --> 00:11:06,374 These are your brothers! 58 00:12:35,875 --> 00:12:39,165 Who - was that? 59 00:13:28,333 --> 00:13:30,749 But this was what happened to Freder - 60 00:13:30,875 --> 00:13:34,332 the son of Joh Fredersen, the master of Metropolis - 61 00:13:34,458 --> 00:13:37,124 as he sought out the girl: 62 00:17:43,833 --> 00:17:47,957 To the new Tower of Babel - to my father - ! 63 00:21:38,083 --> 00:21:43,499 Why is it, Josaphat, that I learn of this explosion from my son, and not from you - ! 64 00:21:51,458 --> 00:21:54,749 Details - ! 65 00:23:07,083 --> 00:23:12,457 What were you looking for in the Machine-Halls, Freder? 66 00:23:15,166 --> 00:23:21,790 I wanted to look into the faces of the people whose little children are my brothers, my sisters... 67 00:23:48,500 --> 00:23:50,832 Your magnificent city, Father - 68 00:23:50,958 --> 00:23:55,124 and you the brain of this city - and all of us within the light of this city... - 69 00:24:22,416 --> 00:24:26,540 ...and where are the people, Father, whose hands built your city - ? 70 00:24:32,416 --> 00:24:36,540 Off where they belong... 71 00:24:43,416 --> 00:24:46,374 ...off where they belong...? 72 00:24:51,416 --> 00:24:54,957 ...in the Depths...? 73 00:25:30,291 --> 00:25:35,249 And if those in the Depths one day rise against you? 74 00:26:07,250 --> 00:26:12,207 The chief foreman of the Heart-Machine, Grot, - with an important message... 75 00:26:33,166 --> 00:26:38,124 There were two more copies of those damnable plans, Herr Fredersen... 76 00:27:19,125 --> 00:27:24,082 ...in the pockets of two men who met with an accident today at the M-Machine... 77 00:27:38,208 --> 00:27:44,832 How is it, Josaphat, that these plans were brought to me by Grot, rather than by you? 78 00:28:09,166 --> 00:28:14,124 Apply to the G-Bank for your remaining wages... 79 00:29:19,125 --> 00:29:23,165 Father, do you know what it means to be dismissed by you? - 80 00:29:23,291 --> 00:29:27,415 It means: To be sent below! - Father - below! Into the Depths - ! 81 00:30:40,125 --> 00:30:46,749 Do you know what it means to be dismissed like that by Joh Fredersen? 82 00:31:05,166 --> 00:31:09,290 Would you like to come with me, Josaphat? 83 00:31:49,833 --> 00:31:58,124 Go home, Josaphat, and wait for me... I still have a long way to go tonight... 84 00:32:09,416 --> 00:32:14,374 Into the Depths, - to my brothers... 85 00:32:22,750 --> 00:32:29,374 From today on I wish to be kept precisely informed of my son's every move... 86 00:33:44,750 --> 00:33:46,790 Brother... 87 00:33:57,166 --> 00:34:02,165 ...the Machine! There needs to be someone at the Machine! 88 00:34:07,666 --> 00:34:12,624 There will be someone at the machine... 89 00:34:12,750 --> 00:34:14,707 ME. 90 00:34:26,458 --> 00:34:31,415 Listen to me... I want to trade my life with you... 91 00:35:03,208 --> 00:35:08,124 Josaphat. 99th Block. House 7, 7th Floor. 92 00:35:13,583 --> 00:35:17,707 Wait for me - both of you... 93 00:35:48,541 --> 00:36:08,957 Josaphat. 99th Block. House 7, 7th Floor. 94 00:38:01,375 --> 00:38:03,874 In the middle of Metropolis, 95 00:38:04,000 --> 00:38:08,499 there stands a strange house that the centuries had overlooked. 96 00:38:15,041 --> 00:38:20,415 The man who dwelled within was Rotwang, the inventor. 97 00:39:38,916 --> 00:39:40,915 Hel 98 00:39:41,041 --> 00:39:45,499 Born to bring me happiness and a benediction to all mankind. 99 00:39:45,625 --> 00:39:50,124 Lost to Joh Fredersen. Died giving life to Freder, Joh Fredersen's son. 100 00:40:16,375 --> 00:40:21,040 A mind like yours, Rotwang, should be able to forget... 101 00:40:26,083 --> 00:40:32,707 Only one time in life did I forget something: that Hel was a woman - and you a man... 102 00:40:38,708 --> 00:40:43,665 Let the dead lie, Rotwang... She's dead for you as she is for me... 103 00:40:51,375 --> 00:40:56,332 For me she isn't dead, Joh Fredersen - for me she lives - ! 104 00:41:06,083 --> 00:41:14,374 Do you think the loss of a hand is too high a price for recreating Hel - ?! 105 00:41:20,958 --> 00:41:24,249 Do you wish to see her - ?! 106 00:43:26,041 --> 00:43:28,832 Now, Joh Fredersen - ?! 107 00:43:28,958 --> 00:43:32,915 Isn't it worth losing a hand to have created the man of the future - 108 00:43:33,041 --> 00:43:35,124 the Machine-Man - ?! 109 00:43:42,708 --> 00:43:46,540 24 more hours of work - 110 00:43:46,666 --> 00:43:51,832 and no man, Joh Fredersen, will be able to differentiate the Machine-Man from a mortal - ! 111 00:44:11,875 --> 00:44:17,374 The woman is mine, Joh Fredersen! Hel's son was yours! 112 00:44:44,541 --> 00:44:49,499 And what brings you my way, Joh Fredersen? 113 00:45:00,208 --> 00:45:06,832 I need your advice - as usual, when all my experts fail me... 114 00:45:20,166 --> 00:45:23,082 Can you decipher for me these plans 115 00:45:23,208 --> 00:45:28,457 that for months have been getting discovered in the pockets of my workers? 116 00:46:03,875 --> 00:46:08,832 ...at two... once my shift ends! She has summoned us again... 117 00:47:35,291 --> 00:47:41,915 Father - ! Father - ! Will ten hours never come to an end - ??! ! 118 00:48:12,500 --> 00:48:16,540 - it's a blueprint of the two-thousand-year-old catacombs 119 00:48:16,666 --> 00:48:20,790 deep below the lowest levels of your Metropolis... 120 00:48:56,041 --> 00:49:04,207 I should like to glean what my workers are doing exactly in those catacombs... 121 00:52:28,208 --> 00:52:30,624 Today I shall tell you 122 00:52:30,750 --> 00:52:34,915 the legend of THE CONSTRUCTION OF THE TOWER OF BABEL... 123 00:52:35,041 --> 00:52:40,707 The Legend of THE CONSTRUCTION OF THE TOWER OF BABEL 124 00:52:50,708 --> 00:52:56,915 Come! Let us build a tower whose zenith shall reach unto the stars! 125 00:53:00,166 --> 00:53:03,749 And at the tower's zenith we shall write: 126 00:53:03,875 --> 00:53:08,457 Great is the world and its Maker! And great is Man! 127 00:53:28,541 --> 00:53:31,665 ...but those who had conceived of the Tower of Babel 128 00:53:31,791 --> 00:53:34,082 could not build the Tower of Babel. 129 00:53:34,208 --> 00:53:38,874 The task was too great. So they paid wages to outside hands... 130 00:53:56,166 --> 00:54:01,249 But the hands that built the Tower of Babel knew nothing of the dream 131 00:54:01,375 --> 00:54:06,540 of which the head that had conceived it had been fantasising. 132 00:54:34,750 --> 00:54:39,374 The hymns of praise of one man became the curses of others. 133 00:54:52,625 --> 00:54:58,832 The same language was spoken, but these men did not understand one another... 134 00:55:06,666 --> 00:55:14,499 Great is the world and its Maker and great is Man 135 00:55:30,166 --> 00:55:34,290 HEAD and HANDS require a Mediator. 136 00:55:36,750 --> 00:55:42,957 THE MEDIATOR BETWEEN HEAD AND HANDS MUST BE THE HEART! 137 00:56:12,041 --> 00:56:16,999 And where is our Mediator, Maria - ? 138 00:56:37,250 --> 00:56:42,207 Wait for him! He will surely come! 139 00:56:57,583 --> 00:57:02,540 We will wait, Maria...! But not for much longer - ! 140 00:58:51,500 --> 00:58:56,457 Oh Mediator, have you finally come... 141 00:58:59,250 --> 00:59:04,207 You summoned me - here I am! 142 00:59:35,041 --> 00:59:41,665 Rotwang, give the Machine-Man the likeness of this woman... 143 00:59:50,791 --> 00:59:54,832 I shall sow discord between them and her! 144 00:59:54,958 --> 00:59:59,082 I shall destroy their belief in this woman - 145 01:00:26,375 --> 01:00:32,999 Leave me alone now, Joh Fredersen... You'll find the way back without me... 146 01:00:58,958 --> 01:01:03,624 You fool! Now you shall also lose the last remaining thing you still had from Hel... 147 01:01:03,750 --> 01:01:07,249 your son... 148 01:01:30,166 --> 01:01:34,332 Until tomorrow, in the cathedral! 149 01:06:06,166 --> 01:06:10,290 END OF THE PRELUDE 150 01:06:14,833 --> 01:06:18,624 INTERMEZZO 151 01:06:56,208 --> 01:07:00,040 Freder witnesses a monk at the pulpit who preaches: 152 01:07:00,166 --> 01:07:05,040 "Verily, I say unto you: the days of which the Apocalypse speaks draw nigh!" 153 01:07:05,416 --> 01:07:09,457 The monk's hand points to the Bible, in which it is written: 154 01:07:09,625 --> 01:07:13,415 "And I saw a woman sit upon a scarlet coloured beast, full of names of blasphemy, 155 01:07:13,541 --> 01:07:15,707 having seven heads and ten horns. 156 01:07:15,833 --> 01:07:19,499 And the woman was arrayed in purple and scarlet colour, 157 01:07:19,625 --> 01:07:21,790 having a golden cup in her hand. 158 01:07:21,916 --> 01:07:25,582 And upon her forehead was a name written, a mystery: 159 01:07:25,708 --> 01:07:29,207 BABYLON THE GREAT, the Mother of Abominations ofthe Earth. 160 01:07:29,333 --> 01:07:32,665 And I saw the woman drunken with the blood ofthe Saints." 161 01:07:48,541 --> 01:07:54,332 You will annihilate Joh Fredersen - him and his city and his son - ! 162 01:08:39,458 --> 01:08:41,124 GLUTTONY 163 01:08:41,291 --> 01:08:42,957 AVARICE 164 01:08:43,083 --> 01:08:44,832 PRIDE 165 01:08:44,958 --> 01:08:46,207 LUST 166 01:08:46,375 --> 01:08:48,040 ENVY 167 01:08:48,208 --> 01:08:49,499 ANGER 168 01:08:49,666 --> 01:08:50,790 SLOTH 169 01:09:06,458 --> 01:09:10,499 Had you come earlier, you wouldn't have frightened me... 170 01:09:10,625 --> 01:09:14,749 I now beg of you: stay away from me and my beloved...! 171 01:10:19,666 --> 01:10:24,082 Where is the one whose clothes you are wearing? 172 01:10:38,208 --> 01:10:44,040 Josaphat. 99th Block. House 7, 7th Floor. 173 01:11:18,083 --> 01:11:21,415 Would you please wake Georgy up? 174 01:11:21,541 --> 01:11:25,415 He must lead me to the Workers' City at once... 175 01:11:44,541 --> 01:11:52,124 No. 11811, get back to the Machine and forget that you ever left it - understood? 176 01:12:13,083 --> 01:12:16,790 I have to have someone who's faithful to me, Josaphat, - 177 01:12:16,916 --> 01:12:20,749 otherwise, how shall I attain the end-goal of my path - ?! 178 01:12:47,375 --> 01:12:51,124 I must go on, Josaphat, - must now, on my own, 179 01:12:51,250 --> 01:12:55,040 seek out the person to whom Georgy was supposed to lead me... 180 01:12:58,458 --> 01:13:03,624 Tonight, Josaphat - tonight when I come back... 181 01:14:51,083 --> 01:14:56,624 Josaphat. 99th Block. House 7, 7th Floor. 182 01:15:34,083 --> 01:15:41,707 So, what price are you demanding for leaving this residence tonight? 183 01:16:27,916 --> 01:16:33,040 You still don't seem to have grasped who sent me here... 184 01:16:36,541 --> 01:16:37,749 CENTRAL BANK OF METROPOLIS 185 01:16:39,708 --> 01:16:45,874 This man doesn't want his son to find you still here tonight! 186 01:17:38,125 --> 01:17:43,707 In three hours' time I shall be calling for you! 187 01:18:39,750 --> 01:18:46,332 Come! It is time to give the Man-Machine your face! 188 01:26:30,916 --> 01:26:34,999 Where is Maria - ?! 189 01:26:43,375 --> 01:26:48,290 She's with your father... 190 01:27:05,125 --> 01:27:10,040 I'm telling you, she is with your father - ! 191 01:27:11,791 --> 01:27:15,790 "She is the most perfect and most obedient tool that a man has ever possessed! 192 01:27:15,916 --> 01:27:19,915 Tonight you shall see how she holds up before the eyes ofthe upper hundred. 193 01:27:20,041 --> 01:27:24,165 You shall see her dance, and if only one single person recognises the machine in her, 194 01:27:24,291 --> 01:27:28,290 I will call myself a bungler who never succeeded at anything! 195 01:27:28,416 --> 01:27:31,457 C. Rotwang" 196 01:27:31,583 --> 01:27:36,374 "C. A. Rotwang requests Herr Joh Fredersen to be his guest this evening." 197 01:28:09,041 --> 01:28:15,624 I want you to go to those in the Depths in order to annihilate the work of your prototype! 198 01:30:07,250 --> 01:30:10,290 "C. A. Rotwang requests Herr Joh Fredersen to be his guest this evening." 199 01:32:03,958 --> 01:32:11,290 Verily, I say unto you: the days of which the Apocalypse speaks draw nigh...! 200 01:33:22,125 --> 01:33:27,040 All Seven Deadly Sins, on her behalf - ! 201 01:34:12,791 --> 01:34:17,707 Death overtakes the City - ! 202 01:34:29,583 --> 01:34:34,499 END OF THE INTERMEZZO 203 01:34:49,708 --> 01:34:57,957 The Revelation of St. John Avalun Publishing, Hellerau 204 01:35:16,083 --> 01:35:20,499 I escaped from the Thin Man wearing this attire... 205 01:35:20,625 --> 01:35:25,165 But for ten days your father's bloodhound has been making the Workers' City unsafe... 206 01:35:35,000 --> 01:35:38,082 The only thing keeping the workers in check 207 01:35:38,208 --> 01:35:42,415 is their expectation for the Mediator promised unto them... 208 01:36:07,416 --> 01:36:12,707 Even stranger things have been happening, Freder... 209 01:36:23,208 --> 01:36:27,790 On that evening when you fell ill... 210 01:36:38,458 --> 01:36:43,415 ...once the best of friends... because of that woman... 211 01:36:49,125 --> 01:36:54,040 ...the other man... on that same evening... 212 01:37:02,041 --> 01:37:08,624 ...the Eternal Gardens lie abandoned... but night after night in Yoshiwara... 213 01:37:44,500 --> 01:37:51,082 And this woman, at whose feet all sins are heaped... 214 01:37:51,416 --> 01:37:56,124 ...is also called Maria... 215 01:38:04,416 --> 01:38:10,999 That same woman that those in the Depths regard as a saint - ?! 216 01:38:25,500 --> 01:38:28,832 Many now go to the City of the Dead, 217 01:38:28,958 --> 01:38:33,790 to a woman they have judged to be as true as gold. 218 01:38:39,583 --> 01:38:43,999 The Mediator is not likely to miss that occasion... 219 01:39:06,833 --> 01:39:10,165 Whatever happens tonight: 220 01:39:10,291 --> 01:39:14,415 it is my express order to allow the workers to do as they please... 221 01:39:25,416 --> 01:39:30,707 Joh Fredersen wants to let those in the Depths use force and do wrong 222 01:39:30,833 --> 01:39:36,165 so that he can claim the right to use force against them... 223 01:39:53,750 --> 01:39:58,999 When you spoke to your poor brothers, you talked about peace, Maria... 224 01:39:59,125 --> 01:40:04,499 today a mouthpiece of Joh Fredersen incites them to rebel against him... 225 01:40:27,916 --> 01:40:32,832 She will destroy their belief in the Mediator! 226 01:41:11,125 --> 01:41:17,707 You know I've always talked about peace... but your Mediator hasn't come... 227 01:41:29,666 --> 01:41:34,582 You've waited long enough! Your time has come - ! 228 01:41:41,291 --> 01:41:45,040 ...but I've tricked Joh Fredersen! 229 01:41:45,166 --> 01:41:49,540 Your clone does not obey his will - only mine alone! 230 01:41:58,625 --> 01:42:05,249 Who is the living fodder for the machines for Metropolis - ?! 231 01:42:09,833 --> 01:42:16,415 Who smears the machine-joints with their own marrow - ?! 232 01:42:31,333 --> 01:42:36,249 Who feeds the machines with their own flesh - ?! 233 01:42:43,041 --> 01:42:49,624 Let the machines starve, you fools - ! Finish them off - ! ! 234 01:42:52,958 --> 01:42:57,874 Do them in - these machines - ! ! 235 01:43:14,250 --> 01:43:17,082 You aren't Maria - ! ! ! 236 01:43:20,708 --> 01:43:23,040 YOU ARE NOT MARIA - ! 237 01:43:37,583 --> 01:43:42,499 Maria talks of peace, not murder - ! This is not Maria - ! ! 238 01:43:46,375 --> 01:43:51,332 Joh Fredersen's son - ! ! 239 01:43:53,833 --> 01:44:00,415 Do him in, the dog, in his white silken hide - ! ! ! 240 01:44:31,500 --> 01:44:35,540 Get your women, your sons, out of the Workers' City! 241 01:44:35,666 --> 01:44:39,749 Let no-one stay behind! Death to the machines - ! ! ! 242 01:44:50,291 --> 01:44:52,457 In the attic of his home, 243 01:44:52,583 --> 01:44:56,165 Rotwang displays for Maria his ever-growing intoxication 244 01:44:56,291 --> 01:44:58,374 with his triumph over Fredersen: 245 01:44:58,666 --> 01:45:00,874 " - and twice over did I trick Joh Fredersen - ! 246 01:45:01,000 --> 01:45:04,915 For I concealed from him that his son wants to be the Mediator of your brothers - 247 01:45:05,041 --> 01:45:06,915 and is in love with you - !" 248 01:45:07,208 --> 01:45:09,707 Maria isn't the only one listening to Rotwang. 249 01:45:09,833 --> 01:45:13,832 On the other side of the attic's window, Joh Fredersen was eavesdropping... 250 01:45:14,291 --> 01:45:19,124 Joh Fredersen breaks into Rotwang's attic. He wrestles with his old rival and overtakes him. 251 01:45:19,250 --> 01:45:22,582 Maria is free. 252 01:45:49,000 --> 01:45:53,082 ...faithful after all... 253 01:46:12,125 --> 01:46:15,332 Come, Freder! We still have to go through the Workers' City. 254 01:46:50,000 --> 01:46:52,665 Women and men, let no-one miss out on today - ! 255 01:46:52,791 --> 01:46:54,915 Death to the machines - ! ! 256 01:49:03,708 --> 01:49:08,624 Not one man - not one woman has stayed behind - ! 257 01:49:49,250 --> 01:49:56,540 Leave the machines - ! Let them race to their death - ! 258 01:50:05,041 --> 01:50:07,874 To the Heart-Machine - ! 259 01:50:18,250 --> 01:50:20,957 DANGER 260 01:51:42,333 --> 01:51:44,624 Open the gates! 261 01:51:51,750 --> 01:51:55,624 You have to open the gates! 262 01:51:58,166 --> 01:52:00,874 If the Heart-Machine perishes, 263 01:52:01,000 --> 01:52:04,749 nothing in the Machine-District will be left standing - ! ! 264 01:52:52,875 --> 01:52:56,415 Have you lost your minds - ?? 265 01:52:56,541 --> 01:53:01,999 If the Heart-Machine perishes, the entire Workers' City will be laid to waste - ! ! 266 01:58:52,583 --> 01:58:57,165 Where are your fathers, your mothers? 267 01:59:49,750 --> 01:59:54,665 Do you have any idea that your son is amongst the workers?! 268 02:01:32,500 --> 02:01:37,415 Yes - you! You're Maria - ! 269 02:01:48,250 --> 02:01:54,832 To the air shafts - quickly! Quickly! The reservoirs have burst! The city is drowning - ! 270 02:06:29,791 --> 02:06:34,707 We'll take the children to the Sons' Club! 271 02:06:46,083 --> 02:06:51,040 Why are all the lights out? 272 02:07:13,875 --> 02:07:18,790 I need to know - ! Where is my son?! ! ! 273 02:07:21,958 --> 02:07:25,665 Tomorrow thousands will ask in fury and desperation: 274 02:07:25,791 --> 02:07:28,540 Joh Fredersen, where is my son - ?! 275 02:08:13,375 --> 02:08:17,457 Where are your children??! 276 02:08:26,000 --> 02:08:32,582 The city is drowned, the shafts are totally flooded - ! ! 277 02:08:39,416 --> 02:08:48,499 Who bade you attack the machines, without which you're finished, you idiots - ??! 278 02:08:54,750 --> 02:08:58,332 It's the witch's fault - ! 279 02:09:08,375 --> 02:09:12,707 We'll be looking on as the world goes to the devil - ! 280 02:09:53,875 --> 02:10:00,457 Find the witch; this is all her fault - ! Strike her dead - ! ! 281 02:11:14,833 --> 02:11:19,749 Now I'm going to take you home, my Hel - ! 282 02:12:33,125 --> 02:12:39,707 The witch - ! the witch - ! There she is - ! there she is - ! 283 02:12:42,916 --> 02:12:49,499 Where are our children, you witch, you - ??! 284 02:12:55,083 --> 02:13:01,665 Burn the witch. - To the stake with her! ! ! 285 02:14:55,875 --> 02:14:59,124 To the stake with her - ! ! 286 02:17:24,958 --> 02:17:29,915 Hel - ! My Hel - ! ! 287 02:21:18,416 --> 02:21:23,332 Your children... saved - ! ! ! 288 02:25:25,708 --> 02:25:30,749 Head and hands want to join together, but they don't have the heart to do it... 289 02:25:30,916 --> 02:25:34,790 Oh Mediator, show them the way to one another... 290 02:26:14,541 --> 02:26:23,624 THE MEDIATOR BETWEEN HEAD AND HANDS MUST BE THE HEART! 291 02:26:28,791 --> 02:26:33,790 Restoration: F. W. Murnau Stiftung, Wiesbaden jointly with Deutsche Kinemathek - 292 02:26:33,916 --> 02:26:37,915 Museum für Film und Fernsehen, Berlin 293 02:26:38,041 --> 02:26:43,415 in co-operation with Museo del Cine Pablo C. Ducros Hicken, Buenos Aires 294 02:26:43,708 --> 02:26:48,707 Supported by: 295 02:26:58,916 --> 02:27:03,915 Contributors of material and guidance: 296 02:28:19,541 --> 02:28:24,540 Special Thanks: 297 02:29:30,416 --> 02:29:32,082 Reconstruction and synchronisation 298 02:29:32,208 --> 02:29:33,748 of the original music by Gottfried Huppertz: 299 02:29:33,874 --> 02:29:35,373 Frank Strobel 300 02:29:35,458 --> 02:29:37,165 Instrumentation of the missing parts of the score: 301 02:29:37,291 --> 02:29:38,790 Marco Jovic 302 02:29:38,916 --> 02:29:40,373 Musical notation: 303 02:29:40,499 --> 02:29:42,165 Jörg Peltzer 304 02:29:42,291 --> 02:29:43,790 Edition on behalf of ZDF/ARTE: 305 02:29:43,916 --> 02:29:45,415 Europäische Filmphilharmonie - Die Film Philharmonie GmbH 306 02:29:46,416 --> 02:29:48,207 Performed by the: Rundfunk-Sinfonieorchester Berlin 307 02:29:48,333 --> 02:29:50,123 an ensemble of the Rundfunk Orchester und Chöre GmbH 308 02:29:50,249 --> 02:29:51,998 Musical direction: 309 02:29:52,124 --> 02:29:53,915 Frank Strobel 310 02:29:53,999 --> 02:29:55,790 Music production: 311 02:29:55,916 --> 02:29:57,665 Nina Goslar, ZDF/ARTE 312 02:29:57,791 --> 02:29:59,540 Stefan Lang, Deutschlandradio Kultur