1 00:00:02,102 --> 00:00:03,102 PREVIOUSLY ON THE UNIT... 2 00:00:03,104 --> 00:00:04,470 WHAT DO YOU WANT FROM ME?! 3 00:00:04,472 --> 00:00:06,038 YOU WANT ME TO OPEN UP?! 4 00:00:06,040 --> 00:00:08,006 YES. 5 00:00:08,174 --> 00:00:09,673 NO, YOU DON'T. 6 00:00:09,675 --> 00:00:10,507 WHERE'S JEREMY ERHART? 7 00:00:10,509 --> 00:00:11,875 EXECUTIVE JEREMY WAS DRIVING, 8 00:00:11,877 --> 00:00:13,276 THERE WAS AN ATTEMPT ON THE CAR. 9 00:00:13,278 --> 00:00:14,978 HE'S BEEN BURNT. 10 00:00:14,979 --> 00:00:16,679 PAIN MEDICATION HAS HIM GOING IN AND OUT, 11 00:00:16,681 --> 00:00:18,380 BUT HE KEEPS ASKING FOR CRYSTAL. 12 00:00:18,382 --> 00:00:19,280 SHE SHOULD BE HERE SOON. 13 00:00:19,282 --> 00:00:20,881 THERE'S A LOT OF PEOPLE LOOKING FOR YOU. 14 00:00:20,883 --> 00:00:22,949 WE'VE BEEN RIGHT HERE THE WHOLE TIME. 15 00:00:22,951 --> 00:00:24,550 Molly: CRYSTAL NEVER SHOWED. 16 00:00:24,552 --> 00:00:26,268 YOU WERE AT THE HOSPITAL. 17 00:00:26,269 --> 00:00:28,029 POOR KID. THE FIRST DAY HE CAN HAVE VISITORS, 18 00:00:28,053 --> 00:00:30,188 AND SHE NEVER SHOWED. 19 00:00:30,189 --> 00:00:32,389 I TRIED TO LOSE MYSELF ALL DAY. 20 00:00:37,396 --> 00:00:39,462 THE IMMORALITY OF THE UNITED STATES 21 00:00:39,464 --> 00:00:40,996 SENT US TO MURDER THE INNOCENT. 22 00:00:40,998 --> 00:00:45,065 REGARDING THE ATROCITIES AMERICA HAS PERPETRATED HERE, 23 00:00:45,067 --> 00:00:47,167 I HAVE ASKED FOR SANCTUARY. 24 00:00:47,169 --> 00:00:50,003 HOW CAN YOU BE SURE THIS IS YOUR SON? 25 00:00:50,005 --> 00:00:51,871 IT'S THE SAME VOICE, SAME HANDS, 26 00:00:51,873 --> 00:00:54,340 AND THE SCARS ARE... ARE FROM WHEN HE PULLED 27 00:00:54,342 --> 00:00:58,376 A POT OF HOT WATER OFF THE STOVE WHEN HE WAS 3. 28 00:00:58,378 --> 00:01:01,078 THE UNITED STATES MUST CEASE ITS PARTICIPATION... 29 00:01:01,080 --> 00:01:03,680 HOW CAN YOU THINK HE'S STILL ALIVE? 30 00:01:03,682 --> 00:01:07,083 NO CONTACT, 37 YEARS. HE'S DEAD. 31 00:01:07,085 --> 00:01:09,251 THEY NEVER FOUND HIS BODY. 32 00:01:12,922 --> 00:01:14,154 Molly: DATED A MONTH AGO. 33 00:01:14,156 --> 00:01:17,023 KEVIN HUONG, MAN IN VIETNAM, 34 00:01:17,025 --> 00:01:19,091 SAYS HE KNOWS WHERE PATRICK IS, 35 00:01:19,093 --> 00:01:20,759 SAW HIM IN MARKETPLACE, 36 00:01:20,761 --> 00:01:23,027 TRADED WITH HIM, TALKED WITH HIM, 37 00:01:23,029 --> 00:01:25,362 BUT HE SAYS HE GOES BY DOUG McBRIDE. 38 00:01:25,364 --> 00:01:28,698 WELL, PATRICK'S AFRAID TO COME HOME, HE SAYS. 39 00:01:28,700 --> 00:01:31,567 SO MUCH TIME AND... AND DISTANCE. 40 00:01:31,569 --> 00:01:35,837 BUT PATRICK DID CONFIDE IN THIS MAN, 41 00:01:35,839 --> 00:01:38,940 AND HE SAYS THAT FOR $5,000, THAT... 42 00:01:38,942 --> 00:01:39,874 HE'LL BREAK YOUR HEART. 43 00:01:39,876 --> 00:01:43,510 MRS. GAFFNEY, IT'S A SCAM. 44 00:01:43,512 --> 00:01:45,211 NO. 45 00:01:45,213 --> 00:01:48,080 HE SENT ME THIS DOG TAG. 46 00:01:48,082 --> 00:01:49,381 IT'S PROOF. 47 00:01:49,383 --> 00:01:51,850 IT'S NOT PROOF. 48 00:01:52,118 --> 00:01:53,917 HE COULD HAVE FOUND THIS, 49 00:01:53,919 --> 00:01:56,252 COULD HAVE MADE IT. 50 00:01:56,787 --> 00:01:59,954 WELL, COULD YOU AT LEAST MAKE INQUIRIES 51 00:01:59,956 --> 00:02:02,189 AT THE EMBASSY WHILE YOU'RE THERE? 52 00:02:02,191 --> 00:02:04,090 YOU'RE GOING ANYWAY. 53 00:02:04,092 --> 00:02:06,425 YOU'LL BE THERE. 54 00:02:06,894 --> 00:02:08,293 I DON'T KNOW. 55 00:02:08,295 --> 00:02:11,029 THERE'S TIME BEFORE THE CEREMONY. 56 00:02:11,031 --> 00:02:13,031 YOU HAVE TIME. 57 00:02:13,033 --> 00:02:14,232 I DON'T. 58 00:02:14,234 --> 00:02:17,735 I NEED TO SEE HIM BEF... 59 00:02:17,737 --> 00:02:20,137 WHILE I STILL CAN. 60 00:02:24,109 --> 00:02:27,543 WOULD YOU PLEASE FIND MY SON? 61 00:02:27,545 --> 00:02:32,146 JEN'S BOOK FAIR, UH, I LEFT $15 ON, UH... 62 00:02:32,148 --> 00:02:33,914 SAME LIST YOU GAVE ME YESTERDAY? 63 00:02:33,916 --> 00:02:37,083 AND LISSY'S GOT SOCCER PRACTICE AT 3:00. 64 00:02:37,085 --> 00:02:38,084 YOU SEE ME? 65 00:02:38,086 --> 00:02:38,918 I SURELY DO. 66 00:02:38,920 --> 00:02:39,785 THEN I MUST BE HERE. 67 00:02:39,787 --> 00:02:40,987 BEANIE-WEENIE IN THE FRIDGE. 68 00:02:41,011 --> 00:02:42,120 TIFFY, I GOT IT COVERED. 69 00:02:42,122 --> 00:02:42,887 ARE YOU SURE? 70 00:02:42,889 --> 00:02:44,088 THE GIRLS'LL KEEP SERENA BUSY. 71 00:02:44,090 --> 00:02:46,490 YOU TWO JUST HAVE A GOOD TIME. 72 00:02:49,961 --> 00:02:51,794 IT'S TIME. 73 00:02:52,461 --> 00:02:53,461 WHEN I GO OUT, 74 00:02:53,463 --> 00:02:55,496 I KNOW WHAT I'M GETTING INTO. 75 00:02:55,498 --> 00:02:57,264 I'M THERE FOR THE CEREMONY, 76 00:02:57,266 --> 00:03:00,733 AND THAT'S ALL I PLAN TO DO. 77 00:03:01,135 --> 00:03:02,968 YOU BE CAREFUL, GIRL. 78 00:03:22,088 --> 00:03:24,755 OFF YOU GO. 79 00:03:35,634 --> 00:03:39,035 SECRETARY GENERAL ANDERS GAM. IT'S OK. 80 00:03:39,037 --> 00:03:41,037 MR. SALAH, WE'RE SO PLEASED TO HAVE YOU 81 00:03:41,039 --> 00:03:42,319 SPEAK HERE AT THE UNITED NATIONS. 82 00:03:42,343 --> 00:03:44,306 I MIGHT SAY IT IS MY PLEASURE, 83 00:03:44,308 --> 00:03:46,708 BUT THERE IS NOTHING PLEASURABLE 84 00:03:46,709 --> 00:03:49,109 IN THE ATROCITIES STILL HAPPENING IN DARFUR, MR. GAM. 85 00:03:49,112 --> 00:03:51,679 I SEE YOU'RE WELL PROTECTED. 86 00:04:04,693 --> 00:04:06,893 AFTER YOUR SPEECH, WE'RE GONNA DRIVE YOU TO LaGUARDIA, 87 00:04:06,895 --> 00:04:08,255 PUT YOU ON A PRIVATE JET TO CHICAGO. 88 00:04:08,279 --> 00:04:10,496 NO ONE KNOWS THE HOTEL WE'RE PUTTIN' YOU UP IN. 89 00:04:10,498 --> 00:04:12,197 YOU'LL BE COMING TO CHICAGO WITH ME? 90 00:04:12,199 --> 00:04:14,749 WE'LL BE MAKIN' THE INTRODUCTIONS. 91 00:04:14,750 --> 00:04:17,300 IF YOU'RE ASKING ME IF I PUT THE CHERRY ON TOP, YES, I DID. 92 00:04:17,303 --> 00:04:19,002 YOU'RE GONNA COME OUT OF HIDING, 93 00:04:19,004 --> 00:04:20,204 PUT YOUR SHOULDER TO THE WHEEL, 94 00:04:20,228 --> 00:04:22,872 I'M GONNA MAKE SURE YOU HAVE THE BEST MEN. 95 00:04:22,874 --> 00:04:25,074 [ELEVATOR DINGS] 96 00:04:29,879 --> 00:04:32,079 LOOKING FORWARD TO YOUR SPEECH. 97 00:04:32,081 --> 00:04:34,714 AS AM I, TO ITS COMPLETION. 98 00:04:45,593 --> 00:04:46,925 PROSKY'S PHONING EVERY AMBASSADOR, 99 00:04:46,927 --> 00:04:50,828 TRYING TO CONVINCE THEM NOT TO ATTEND SALAH'S SPEECH. 100 00:04:50,830 --> 00:04:51,846 YOU KNOW, 101 00:04:51,847 --> 00:04:52,927 "WHAT IF TERRORISTS ATTACK?" 102 00:04:52,951 --> 00:04:55,418 HE WANTS A CALL. 103 00:04:55,901 --> 00:04:58,167 I'M CERTAIN HE DOES. 104 00:05:00,104 --> 00:05:02,037 WHAT'S THE OCCASION? 105 00:05:02,039 --> 00:05:05,006 FIRST TIME I'VE BEEN IN HERE TODAY. 106 00:05:05,008 --> 00:05:07,074 [TELEPHONE RINGS] 107 00:05:07,076 --> 00:05:08,325 [RING] 108 00:05:08,326 --> 00:05:09,575 DON'T ANSWER THE PHONE. 109 00:05:09,578 --> 00:05:10,376 [RING] 110 00:05:10,378 --> 00:05:12,244 GET OUT OF THIS OFFICE. 111 00:05:12,246 --> 00:05:14,446 [RING] 112 00:05:14,448 --> 00:05:16,314 [RING] 113 00:05:17,250 --> 00:05:19,617 [RING] 114 00:05:22,888 --> 00:05:24,787 WE GOT A PROBLEM UPSTAIRS. 115 00:05:24,789 --> 00:05:28,791 CHECK IT OUT. MAKE SURE IT DOESN'T AFFECT MY GUY. 116 00:05:32,929 --> 00:05:36,430 IT'S JUST ROUTINE, MOMED. 117 00:05:40,035 --> 00:05:43,136 YOU FEEL A BULGE UNDER YOUR FOOT? 118 00:05:43,138 --> 00:05:44,971 YES. 119 00:05:44,973 --> 00:05:46,772 NO OBVIOUS BUGS. NO DEVICES. 120 00:05:46,774 --> 00:05:48,740 Blane: RAZOR CUT IN THE CARPET. 121 00:05:48,742 --> 00:05:50,208 RIGHT UNDER THE BALL OF HIS FOOT. 122 00:05:50,210 --> 00:05:54,244 YOUR FOOT IS ON THE DEVICE'S PRESSURE POINT, 123 00:05:54,246 --> 00:05:56,913 THE PAD UNDER THE CARPET. 124 00:05:56,915 --> 00:05:57,914 IT'S LIKE A MINE FUSE. 125 00:05:57,916 --> 00:05:59,982 IT ARMS WHEN YOU STEP ON IT. 126 00:05:59,984 --> 00:06:01,984 MEANS YOUR WEIGHT'S WHAT'S ACTIVATED THE THING. 127 00:06:01,986 --> 00:06:03,885 YOU DON'T WANT TO SET IT OFF, 128 00:06:03,887 --> 00:06:07,020 DON'T MOVE. EVEN A HAIR. 129 00:06:07,655 --> 00:06:09,421 I... 130 00:06:09,423 --> 00:06:11,389 I HAVE TO URINATE. 131 00:06:11,391 --> 00:06:13,490 YOU GO RIGHT AHEAD. 132 00:06:14,993 --> 00:06:16,559 REAL OR FAKE? 133 00:06:16,561 --> 00:06:17,593 ALWAYS ASSUME REAL. 134 00:06:17,595 --> 00:06:20,729 MA'AM, I DON'T KNOW WHAT'S GOING TO HAPPEN HERE, 135 00:06:20,731 --> 00:06:21,963 BUT YOU NEED TO LEAVE. 136 00:06:21,965 --> 00:06:23,965 WE'VE WORKED TOGETHER 22 YEARS. 137 00:06:23,967 --> 00:06:26,634 I KNOW HOW TO KEEP HIM CALM. 138 00:06:26,636 --> 00:06:28,168 WELL, THAT'S YOUR CHOICE. 139 00:06:28,170 --> 00:06:30,803 YOU HAVE SECOND THOUGHTS, 140 00:06:30,805 --> 00:06:33,539 GET OUT OF HERE. 141 00:06:34,308 --> 00:06:35,407 THIS IS SNAKE DOCTOR. 142 00:06:35,409 --> 00:06:37,342 SCRAMBLE 4. I REPEAT... SCRAMBLE 4. 143 00:06:37,344 --> 00:06:38,426 THIS IS ILA NEIHAUS. 144 00:06:38,427 --> 00:06:39,987 THE SECRETARY GENERAL WISHES YOU TO KNOW 145 00:06:40,011 --> 00:06:41,678 THAT MR. MOMED SALAH IS ILL... 146 00:06:41,680 --> 00:06:42,712 MR. GAM... 147 00:06:42,713 --> 00:06:43,913 AND WILL NOT BE SPEAKING TODAY. 148 00:06:43,937 --> 00:06:46,982 I'M GONNA ASK YOU TO STAY CALM AND VERY STILL. 149 00:06:46,984 --> 00:06:48,850 WE'RE GONNA GET SOME EQUIPMENT UP HERE, 150 00:06:48,852 --> 00:06:49,984 SEE WHAT'S UNDER YOUR FOOT, 151 00:06:49,986 --> 00:06:52,353 SEE WHAT'S IN THAT NICE CAKE. 152 00:06:52,355 --> 00:06:54,988 CAN YOU DO THAT FOR ME? 153 00:06:54,990 --> 00:06:56,889 GOOD MAN. 154 00:06:57,858 --> 00:06:58,923 [DOOR OPENS] 155 00:06:58,925 --> 00:07:01,292 JONAS NEEDS YOU MOST RICKY TICK. 156 00:07:01,294 --> 00:07:02,126 TALK'S CANCELED. 157 00:07:02,128 --> 00:07:03,527 YOU'RE GONNA LEAVE NOW. 158 00:07:03,529 --> 00:07:04,794 SOMEONE'S COMING AFTER ME? 159 00:07:04,796 --> 00:07:07,146 SECRETARY GENERAL'S IN DANGER. 160 00:07:07,147 --> 00:07:09,497 THAT'S ALL WE KNOW FOR THE MOMENT. LET'S GO. 161 00:07:09,833 --> 00:07:11,532 THEY'RE HERE TO KILL ME. 162 00:07:11,534 --> 00:07:13,433 10 YEARS AGO, DID YOU TRUST ME? 163 00:07:13,435 --> 00:07:14,333 NO. 164 00:07:14,335 --> 00:07:15,934 DID I SAVE YOUR LIFE ANYWAY? 165 00:07:15,936 --> 00:07:19,471 SO TRUST ME NOW. 166 00:07:22,309 --> 00:07:24,075 EXIT ROUTE IS CLEAR. 167 00:07:24,077 --> 00:07:26,310 [ELEVATOR RUMBLING] 168 00:07:26,312 --> 00:07:30,680 [GRINDING] 169 00:07:31,949 --> 00:07:34,215 GET BACK. 170 00:07:34,217 --> 00:07:36,016 DOWN! 171 00:07:36,451 --> 00:07:39,552 [ONLOOKERS TALKING] 172 00:07:52,500 --> 00:07:53,966 � FIRED UP � � FIRED UP � 173 00:07:53,968 --> 00:07:54,967 � FIRED UP � � FIRED UP � 174 00:07:54,969 --> 00:07:56,134 � PLENTY SUN � � PLENTY SUN � 175 00:07:56,136 --> 00:07:57,168 � FIRED UP � � FIRED UP � 176 00:07:57,170 --> 00:07:58,335 � HERE WE GO � � HERE WE GO � 177 00:07:58,337 --> 00:07:59,669 � ON THE ROAD � � ON THE ROAD � 178 00:07:59,671 --> 00:08:00,970 � PLENTY SUN � � PLENTY SUN � 179 00:08:00,972 --> 00:08:01,937 � FIRED UP � � FIRED UP � 180 00:08:01,939 --> 00:08:03,138 � FIRED UP � � FIRED UP � 181 00:08:03,140 --> 00:08:05,073 � FIRED UP � � FIRED UP � 182 00:08:05,075 --> 00:08:06,408 � PLENTY SUN � 183 00:08:06,409 --> 00:08:07,742 � FIRED UP � � FIRED UP � 184 00:08:08,845 --> 00:08:11,645 [BOOM, GUNSHOT] 185 00:08:22,989 --> 00:08:25,189 I WANT YOU TO LOCK THIS DOOR BEHIND YOU, 186 00:08:25,191 --> 00:08:27,357 AND DON'T OPEN IT UNLESS YOU HEAR MY VOICE. 187 00:08:27,359 --> 00:08:28,859 DON'T LEAVE ME HERE ALONE. 188 00:08:28,860 --> 00:08:30,460 MOMED, I DON'T KNOW IF THIS IS ABOUT YOU, 189 00:08:30,484 --> 00:08:31,595 BUT IT'S ABOUT SOMETHING, 190 00:08:31,596 --> 00:08:33,076 AND I'VE ONLY GOT SO MANY MEN ON DECK. 191 00:08:33,100 --> 00:08:36,432 YOU MADE ME A PROMISE TO STAY BY MY SIDE THIS ENTIRE DAY. 192 00:08:36,434 --> 00:08:38,767 THE SITUATION'S CHANGED. 193 00:08:38,769 --> 00:08:41,669 MY VOICE ONLY. 194 00:08:44,940 --> 00:08:47,157 ROGER THAT. 195 00:08:47,158 --> 00:08:49,375 AND ROPE, C-4, DENTAL MIRRORS, MEDIC KIT... 196 00:08:49,377 --> 00:08:50,259 X-RAY BOX. 197 00:08:50,260 --> 00:08:51,142 GREY WANTS HIS FAVORITE TOY. 198 00:08:51,145 --> 00:08:52,444 NO-VIBRATION CIRCULAR SAW. 199 00:08:52,446 --> 00:08:54,145 BINOS, LOW-VIBE CIRCULAR SAW. 200 00:08:54,147 --> 00:08:57,615 DOG PATCH ZERO-6. SHUT THIS PLACE DOWN. 201 00:08:57,617 --> 00:08:59,316 WHEREVER PEOPLE ARE, THEY STAY. 202 00:08:59,318 --> 00:09:01,217 COOL BREEZE, BUTTONHOLE U.N. SECURITY. 203 00:09:01,219 --> 00:09:04,953 DISABLE ALL ELEVATORS. MEN ON ALL ENTRANCES AND EXITS. 204 00:09:04,955 --> 00:09:06,538 HOLD OFF FIRST-RESPONDERS. 205 00:09:06,539 --> 00:09:08,259 LET'S SEE IF WE CAN'T HANDLE THIS OURSELVES. 206 00:09:08,283 --> 00:09:10,190 ELEVATOR CRASHED. 2 FATALITIES. 207 00:09:10,192 --> 00:09:12,025 SALAH? SAFE AND TUCKED AWAY. 208 00:09:12,027 --> 00:09:13,126 2 DEAD IN THE ELEVATOR? 209 00:09:13,128 --> 00:09:14,794 ONE IS NIKA PETROS, 210 00:09:14,795 --> 00:09:16,461 SECOND-IN-COMMAND TO THE GREEK AMBASSADOR. 211 00:09:16,464 --> 00:09:18,163 SEE IF PETROS WAS A MAN OF HABIT, 212 00:09:18,165 --> 00:09:20,231 USED THE SAME ELEVATORS EVERY DAY. THE OTHERS? 213 00:09:20,233 --> 00:09:21,832 GUY WHOSE NUMBER'S UP, GITO KIM, 214 00:09:21,834 --> 00:09:23,834 HERE TO HAVE BREAKFAST WITH HIS WIFE. 215 00:09:23,836 --> 00:09:24,901 WHICH ARE CONNECTED 216 00:09:24,903 --> 00:09:25,968 TO SALAH OR GAM? 217 00:09:25,970 --> 00:09:26,969 WELL, AIN'T THAT THE QUESTION OF THE DAY? 218 00:09:26,971 --> 00:09:29,571 Neihaus: GAVE THE KEYS TO THE EMBASSY. 219 00:09:29,573 --> 00:09:30,872 HE'S LOOKIN' SHAKY. 220 00:09:30,874 --> 00:09:31,973 Williams: EVERY DAY? 221 00:09:31,975 --> 00:09:33,007 THANK YOU. 222 00:09:33,009 --> 00:09:35,476 PETROS' ASSISTANT SAYS HE CAME IN EARLY, 223 00:09:35,478 --> 00:09:37,010 WENT FOR COFFEE SAME TIME EACH DAY, 224 00:09:37,012 --> 00:09:39,212 ALWAYS THE SAME BANK OF ELEVATORS. 225 00:09:39,214 --> 00:09:40,379 THEN IF HE WAS THE TARGET, 226 00:09:40,381 --> 00:09:42,214 MEANS ALL THE OTHER ELEVATORS WERE RIGGED, 227 00:09:42,216 --> 00:09:43,415 MAKE SURE THE JOB GOT DONE. 228 00:09:43,417 --> 00:09:45,083 WE CAN'T BE SURE ABOUT THE STAIRWELLS. 229 00:09:45,085 --> 00:09:46,918 LOOK, I'M NOT THE OPERATOR, YOU ARE, 230 00:09:46,920 --> 00:09:50,154 BUT DON'T YOU BE TIMID ABOUT PUTTIN' ME TO WORK. 231 00:09:50,156 --> 00:09:51,589 ROLL UP YOUR SLEEVES. 232 00:09:51,590 --> 00:09:53,230 TAKE THE COLONEL. CHECK OUT THE ELEVATORS. 233 00:09:53,254 --> 00:09:54,357 THIS A COINCIDENCE? 234 00:09:54,359 --> 00:09:56,192 THIS PETROS FELLA MEAN SOMETHING? 235 00:09:56,194 --> 00:09:59,762 WHO ELSE IS BEING TARGETED? 236 00:10:03,033 --> 00:10:04,332 WHAT SHOULD I KNOW? 237 00:10:04,334 --> 00:10:05,666 ANDERS HAD HIP SURGERY LAST YEAR. 238 00:10:05,668 --> 00:10:08,101 HE'S HAVING TROUBLE STANDING STILL. 239 00:10:09,704 --> 00:10:11,036 WHAT SIDE, GAM? 240 00:10:11,038 --> 00:10:12,237 [SHUDDERS] 241 00:10:12,239 --> 00:10:14,005 THE RIGHT SIDE. 242 00:10:14,007 --> 00:10:15,840 MUSCLE SPASMS? 243 00:10:15,842 --> 00:10:18,042 PAIN? SHOOTING PAIN? 244 00:10:18,044 --> 00:10:20,577 CAN YOU HOLD ON FOR ANOTHER HOUR, SIR? 245 00:10:20,579 --> 00:10:24,981 I'M NOT SURE I HAVE ANOTHER 5 MINUTES. 246 00:10:42,766 --> 00:10:46,367 [GAM SPEAKING DANISH SOFTLY] 247 00:10:48,971 --> 00:10:52,072 MAHOGANY'S A DENSE WOOD, MIGHT MATCH HIS WEIGHT. 248 00:10:52,074 --> 00:10:54,541 PRESSURE'S ON THE BALL OF HIS FOOT. 249 00:10:54,543 --> 00:10:55,575 WE CAN'T REPRODUCE THAT. 250 00:10:55,577 --> 00:10:57,743 HE'S ABOUT MY HEIGHT AND WEIGHT. 251 00:10:57,745 --> 00:10:59,811 [SPEAKING DANISH SOFTLY] 252 00:10:59,813 --> 00:11:00,912 NOT EXACTLY. 253 00:11:00,914 --> 00:11:02,880 CLOSER THAN YOU. 254 00:11:02,882 --> 00:11:06,149 [GAM SPEAKING DANISH SOFTLY] 255 00:11:08,086 --> 00:11:11,053 IT'S TIME FOR YOU TO STEP AWAY NOW. 256 00:11:11,055 --> 00:11:12,504 GO DOWN THE HALL 257 00:11:12,505 --> 00:11:13,954 AS FAR AS YOU CAN AS FAST AS YOU CAN. 258 00:11:13,957 --> 00:11:18,826 Williams: SIR, I'M GOING TO TELL YOU WHAT'S ABOUT TO HAPPEN, 259 00:11:18,828 --> 00:11:23,596 AND YOU'RE GONNA STOP PRAYING AND LISTEN. 260 00:11:23,598 --> 00:11:27,098 I'M GONNA COME UP BEHIND YOU. 261 00:11:27,100 --> 00:11:28,099 WHEN I DO... 262 00:11:28,101 --> 00:11:31,635 I'M GONNA PUT MY ENTIRE BODY AGAINST YOURS. 263 00:11:31,637 --> 00:11:34,938 DO NOT FLINCH WHEN I DO IT. 264 00:11:34,940 --> 00:11:37,774 DO YOU UNDERSTAND? 265 00:11:37,776 --> 00:11:38,808 YES. 266 00:11:38,810 --> 00:11:44,145 GOOD. I'M GOING TO DO IT NOW. 267 00:11:44,514 --> 00:11:46,514 I'M GOING TO TELL YOU SOMETHING, 268 00:11:46,516 --> 00:11:49,450 AND IT WILL BE A REVELATION TO YOU, 269 00:11:49,452 --> 00:11:51,285 BUT IT'S TRUE. 270 00:11:51,287 --> 00:11:52,619 YOU CAN LIVE WITHOUT A LEG, 271 00:11:52,621 --> 00:11:53,953 YOU CAN LIVE WITHOUT 2, 272 00:11:53,955 --> 00:11:56,088 YOU CAN LIVE WITHOUT AN ARM, 273 00:11:56,090 --> 00:11:59,624 BUT IF THIS DEVICE IS A BOMB, 274 00:11:59,626 --> 00:12:01,776 IF WE DO THIS WRONG 275 00:12:01,777 --> 00:12:04,097 OR WAIT UNTIL YOU'RE SHAKING SO BAD YOU CAN'T HOLD PRESSURE, 276 00:12:04,121 --> 00:12:07,931 WE WILL DIE, SO YOU'RE NOT GONNA MOVE ANYWHERE 277 00:12:07,933 --> 00:12:09,999 I DON'T MOVE YOU. 278 00:12:10,001 --> 00:12:11,934 THE TABLE YOUR HANDS ARE ON 279 00:12:11,936 --> 00:12:13,869 WILL MITIGATE THE BLAST. 280 00:12:13,871 --> 00:12:17,706 DO NOT CHANGE THE PRESSURE YOU HAVE ON YOUR HANDS. 281 00:12:17,708 --> 00:12:19,841 Blane: ALL HANDS, HOLD WHERE YOU ARE. 282 00:12:19,843 --> 00:12:22,810 I REPEAT... HOLD POSITION. 283 00:12:22,812 --> 00:12:27,848 YOU FEEL MY RIGHT LEG CROOKED RIGHT AGAINST YOUR RIGHT LEG? 284 00:12:27,850 --> 00:12:31,050 STAY WITH MY LEG. 285 00:12:31,852 --> 00:12:33,885 I'M GONNA SLIDE YOUR FOOT OFF 286 00:12:33,887 --> 00:12:36,938 AND MY FOOT ON, BUT... 287 00:12:36,939 --> 00:12:39,990 YOU HAVE TO KEEP THE SAME AMOUNT OF WEIGHT ON THE BALL OF YOUR FOOT, 288 00:12:39,992 --> 00:12:40,890 AND NOTHING HAPPENS. 289 00:12:40,892 --> 00:12:43,292 WHEN YOU FEEL YOUR FOOT IS FREE, 290 00:12:43,294 --> 00:12:45,160 DO NOT RUN. 291 00:12:45,162 --> 00:12:46,861 STAY WHERE YOU ARE. 292 00:12:46,863 --> 00:12:48,863 WAIT FOR MY GO. 293 00:12:48,865 --> 00:12:51,899 THEN WALK AWAY SLOWLY. 294 00:12:51,901 --> 00:12:55,202 I'LL SQUAWK THE ALL-CLEAR, WE'RE DONE. 295 00:12:55,204 --> 00:12:58,572 WHEN YOU MOVE AWAY, YOUR LEGS WILL BE WEAK. 296 00:12:58,574 --> 00:13:00,240 THAT'S GOING TO HAPPEN. 297 00:13:00,242 --> 00:13:03,209 DO NOT STEADY YOURSELF ON THE DESK. 298 00:13:03,211 --> 00:13:05,044 DO NOT LEAN AGAINST ME. 299 00:13:05,046 --> 00:13:06,979 YOU STOOD HERE WITH COURAGE THIS LONG, 300 00:13:06,981 --> 00:13:10,082 YOU CAN CALL UP A FEW SECONDS MORE. 301 00:13:10,084 --> 00:13:13,651 [SOFTLY] � I GO OUT WALKING � 302 00:13:13,653 --> 00:13:16,887 � AFTER MIDNIGHT � 303 00:13:16,889 --> 00:13:19,689 � OUT IN THE MOONLIGHT � 304 00:13:19,691 --> 00:13:22,425 � JUST LIKE WE USED TO DO � 305 00:13:22,427 --> 00:13:25,227 JUST KEEP LISTENING TO MY VOICE. 306 00:13:25,229 --> 00:13:26,561 FEEL THE PRESSURE. 307 00:13:26,563 --> 00:13:29,130 HERE WE GO. 308 00:13:29,332 --> 00:13:31,732 � I'M ALWAYS WALKIN' � 309 00:13:31,734 --> 00:13:33,867 � AFTER MIDNIGHT � 310 00:13:33,869 --> 00:13:37,803 � SEARCHIN' FOR YOU � 311 00:13:38,005 --> 00:13:40,705 � I WALK FOR MILES � 312 00:13:40,707 --> 00:13:42,840 � ALONG THE HIGHWAY � 313 00:13:42,842 --> 00:13:45,876 � WELL, THAT'S JUST MY WAY � 314 00:13:45,878 --> 00:13:48,111 � OF SAYIN' I LOVE YOU � 315 00:13:48,113 --> 00:13:51,280 Blane: HOLD. HOLD. HOLD. 316 00:13:51,282 --> 00:13:53,882 � I'M ALWAYS WALKIN' � 317 00:13:53,884 --> 00:13:56,251 � AFTER MIDNIGHT � 318 00:13:56,253 --> 00:13:58,519 � SEARCHIN' FOR YOU � 319 00:13:58,521 --> 00:14:00,454 LOCK YOUR ELBOWS. 320 00:14:00,456 --> 00:14:01,621 DON'T LOSE IT NOW. 321 00:14:01,623 --> 00:14:05,391 � I'M ALWAYS WALKIN' � 322 00:14:05,393 --> 00:14:07,693 � AFTER MIDNIGHT � 323 00:14:07,695 --> 00:14:11,963 � DON'T MAKE A MOVE � 324 00:14:13,700 --> 00:14:19,936 NOW SLIDE YOUR HANDS OUT FROM UNDER MINE. 325 00:14:20,438 --> 00:14:23,771 SLOWLY. EASY. 326 00:14:23,773 --> 00:14:25,372 EASY. 327 00:14:25,374 --> 00:14:28,074 EASY. 328 00:14:28,076 --> 00:14:30,709 EASY. 329 00:14:30,711 --> 00:14:32,360 YOU'RE OK. 330 00:14:32,361 --> 00:14:34,010 Blane: MOVE ONE STEP, SLOWLY. 331 00:14:35,981 --> 00:14:37,046 ONE MORE. 332 00:14:37,048 --> 00:14:38,814 SOFTLY. 333 00:14:46,823 --> 00:14:50,590 DAMN IF I CAN REMEMBER THE NEXT VERSE. 334 00:14:50,592 --> 00:14:53,192 [SHOWER RUNNING] 335 00:14:59,798 --> 00:15:00,798 OW. THAT HURT. 336 00:15:00,800 --> 00:15:02,033 WHAT ARE YOU DOING? 337 00:15:02,035 --> 00:15:03,267 WELL, KIM'S GOT THE FLU. 338 00:15:03,269 --> 00:15:06,069 SHE ASKED ME TO KEEP AN EYE ON THE GIRLS. 339 00:15:06,071 --> 00:15:08,604 I CAN TAKE CARE OF MY OWN DAUGHTERS. 340 00:15:08,606 --> 00:15:09,905 I THOUGHT YOU'D BE HAPPY. 341 00:15:09,907 --> 00:15:13,108 WELL, YOU WERE WRONG. GO HOME. 342 00:15:13,110 --> 00:15:15,043 YOUR WIFE'S OUT OF THE COUNTRY. 343 00:15:15,045 --> 00:15:17,111 WE HAVE THE PLACE TO OURSELVES. 344 00:15:17,113 --> 00:15:19,947 THIS PLACE IS MY HOME. 345 00:15:19,949 --> 00:15:24,083 THIS IS MY WIFE'S AND MY HOME. 346 00:15:24,085 --> 00:15:24,750 LET ME GO. 347 00:15:24,752 --> 00:15:26,084 I DON'T WANT YOU HERE. 348 00:15:26,086 --> 00:15:28,753 I WILL NOT DISRESPECT MY FAMILY. 349 00:15:30,590 --> 00:15:35,192 YOU WEREN'T DISRESPECTING YOUR FAMILY WHEN YOU MADE LOVE TO ME? 350 00:15:35,194 --> 00:15:36,927 THAT WAS A MISTAKE. 351 00:15:36,929 --> 00:15:40,196 I THOUGHT MEN LIKE YOU DON'T MAKE MISTAKES. 352 00:15:40,198 --> 00:15:41,797 WHAT DO YOU WANT? 353 00:15:41,799 --> 00:15:43,131 YOU, LIKE YOU WERE BEFORE. 354 00:15:43,133 --> 00:15:47,434 THAT'S NOT GONNA HAPPEN, NOT IN MY HOUSE. 355 00:15:47,702 --> 00:15:50,469 WE CAN GO SOMEWHERE ELSE. 356 00:15:50,471 --> 00:15:51,403 NO MORE. 357 00:15:51,405 --> 00:15:54,906 TAKE WHAT YOU CAME HERE WITH AND GET OUT. 358 00:15:54,908 --> 00:15:56,107 CAN I BORROW YOUR PHONE, THEN? 359 00:15:56,109 --> 00:16:00,243 I SHOULD CALL KIM AND LET HER KNOW I CAN'T DO HER A FAVOR 360 00:16:00,245 --> 00:16:02,111 AND LOOK AFTER YOUR KIDS, 361 00:16:02,113 --> 00:16:03,112 SINCE YOU'RE NOT COMFORTABLE 362 00:16:03,114 --> 00:16:07,015 HAVING ME AROUND AFTER YOU SLEPT WITH ME. 363 00:16:08,618 --> 00:16:12,086 Man: A SPECIAL WELCOME TO OUR VISITING ARMY WIVES. 364 00:16:12,088 --> 00:16:13,654 I'D LIKE YOU ALL TO PARTICIPATE 365 00:16:13,656 --> 00:16:15,756 IN THE ACTIVITIES PRECEDING WEDNESDAY'S CEREMONY 366 00:16:15,758 --> 00:16:18,725 TO HONOR THOSE WHO GAVE THEIR LIVES IN VIETNAM. 367 00:16:18,727 --> 00:16:24,063 AND NOW I'D LIKE TO GIVE THE FLOOR TO MY WIFE MAILAN. 368 00:16:24,832 --> 00:16:29,234 YOU HAVE AT YOUR TABLES AN ITINERARY OF ACTIVITIES. 369 00:16:29,236 --> 00:16:31,903 BUSES, GUIDES WILL BE MADE AVAILABLE... 370 00:16:31,905 --> 00:16:33,070 AMBASSADOR TROTTER. YES. 371 00:16:33,072 --> 00:16:35,739 I'M MOLLY BLANE, F.R.G., FORT GRIFFITH, U.S. 372 00:16:35,741 --> 00:16:37,261 VERY GOOD TO HAVE YOU HERE, MRS. BLANE. 373 00:16:37,285 --> 00:16:39,642 YOU'LL EXCUSE ME. I NEED TO GET TO MY OFFICE. 374 00:16:39,644 --> 00:16:42,911 I ONLY NEED A MOMENT. 375 00:16:43,513 --> 00:16:46,280 UH, IS THIS A FAMILY MEMBER? 376 00:16:46,282 --> 00:16:48,015 NO. HIS MOTHER GAVE ME THIS. 377 00:16:48,017 --> 00:16:50,684 SHE RECEIVED IT RECENTLY FROM A MAN HERE. 378 00:16:50,686 --> 00:16:51,651 SOMEONE AT THE EMBASSY? 379 00:16:51,653 --> 00:16:53,953 NO, KEVIN HUONG, A LOCAL MERCHANT. 380 00:16:53,954 --> 00:16:56,354 HE SAID THAT HE KNOWS WHERE THIS MAN... HE'D BE 56 NOW... WAS. 381 00:16:56,378 --> 00:17:00,825 YEAH. DID HE ASK FOR MONEY IN EXCHANGE FOR THE INFORMATION? 382 00:17:00,827 --> 00:17:01,692 HE DID. YEAH. 383 00:17:01,694 --> 00:17:03,260 THE SURNAME HUONG IS VERY COMMON, 384 00:17:03,262 --> 00:17:07,130 BUT, UH, THE FIRST NAME PROBABLY CONNOTES AN AMERASIAN. 385 00:17:07,132 --> 00:17:08,331 IS THAT IMPORTANT? 386 00:17:08,333 --> 00:17:10,633 VIETNAM HAS A CASTE SYSTEM. 387 00:17:10,635 --> 00:17:12,368 THE AMERASIANS SIT ON THE BOTTOM RUNG. 388 00:17:12,370 --> 00:17:16,305 THEY'VE HAD TO SCROUNGE FOR A LIVING SINCE THEY WERE CHILDREN. 389 00:17:16,307 --> 00:17:18,373 THEY'RE NOT ACCEPTED BY THE VIETNAMESE 390 00:17:18,375 --> 00:17:21,109 NOR EMBRACED BY THEIR AMERICAN FATHERS. 391 00:17:21,111 --> 00:17:23,778 THESE CAN BE MADE ON ANY STREET. 392 00:17:23,780 --> 00:17:25,679 TAKES ABOUT 10 MINUTES. 393 00:17:25,681 --> 00:17:27,614 BUT SOME OF THEM ARE REAL. 394 00:17:27,616 --> 00:17:28,214 PERHAPS. 395 00:17:28,216 --> 00:17:29,682 IS THIS? PROBABLY NOT. 396 00:17:29,684 --> 00:17:32,235 I KNOW THAT'S ALMOST CERTAINLY TRUE, 397 00:17:32,236 --> 00:17:34,787 BUT I MADE A PROMISE, A PROMISE TO HIS MOTHER I'D LOOK INTO IT. 398 00:17:34,789 --> 00:17:38,123 CAN I SPEAK TO SOMEONE IN RECORDS AT THE EMBASSY? 399 00:17:38,125 --> 00:17:42,493 WAS THIS MAN REPORTED P.O.W., M.I.A., OR KILLED DURING THE WAR? 400 00:17:42,495 --> 00:17:44,812 YES. 401 00:17:44,813 --> 00:17:47,130 YEAH, THEN I'M AFRAID THAT'S ALL YOU'RE GONNA FIND. 402 00:17:47,132 --> 00:17:50,032 JAPANESE ARE STILL COMING OUT OF THE JUNGLE 403 00:17:50,034 --> 00:17:52,017 IN THE SOUTH PACIFIC. 404 00:17:52,018 --> 00:17:54,001 A MAN IN NORTH KOREA EMERGED JUST LAST YEAR... 405 00:17:54,004 --> 00:17:55,003 THE KOREAN WAR. 406 00:17:55,005 --> 00:17:57,005 THERE HAVE BEEN P.O.W.s, M.I.A.s 407 00:17:57,007 --> 00:18:00,707 FROM THE VIETNAMESE WAR WHO HAVE REAPPEARED. 408 00:18:00,709 --> 00:18:01,607 VERY RARELY. 409 00:18:01,609 --> 00:18:04,142 CAN YOU PROVIDE ME WITH SECURITY ESCORT 410 00:18:04,144 --> 00:18:06,661 TO MEET THIS MR. HUONG? 411 00:18:06,662 --> 00:18:09,179 MRS. BLANE, THE MEN WE HAVE ARE HERE TO PROTECT THE EMBASSY. 412 00:18:09,181 --> 00:18:12,148 HAVE YOU BEEN TO VIETNAM BEFORE? 413 00:18:12,150 --> 00:18:13,349 I SEE. 414 00:18:13,351 --> 00:18:14,817 ENJOY THE FESTIVITIES 415 00:18:14,819 --> 00:18:15,651 AND FORGET THIS. 416 00:18:15,653 --> 00:18:16,985 THERE'S NOTHING TO BE FOUND. 417 00:18:16,987 --> 00:18:22,823 THIS MAY HAVE BELONGED TO SOMEONE'S SON. 418 00:18:22,825 --> 00:18:24,691 PERHAPS. 419 00:18:24,693 --> 00:18:27,293 YOU'LL EXCUSE US. 420 00:18:35,569 --> 00:18:37,385 ALL RIGHT, THIS SHOULD HOLD. 421 00:18:37,386 --> 00:18:39,506 DON'T YOU WANT A MAN OF MINE TO RUN THIS UP THE STAIRS? 422 00:18:39,530 --> 00:18:41,672 NO. THIS IS THE ONLY WAY FROM HERE TO THERE 423 00:18:41,674 --> 00:18:42,873 WE KNOW FOR A FACT IS CLEAR. 424 00:18:42,875 --> 00:18:43,955 WE'RE WAITIN' ON DRILL BITS. 425 00:18:43,979 --> 00:18:45,675 AFTER THIS, WE'RE GOOD TO GO. 426 00:18:45,677 --> 00:18:47,343 LOOK, I GOT A GUY UP THERE, 427 00:18:47,344 --> 00:18:49,010 HIS FOOT ON THE TRIGGER OF SOME KIND OF NASTINESS. 428 00:18:49,013 --> 00:18:49,878 I NEED THAT STUFF NOW. 429 00:18:49,880 --> 00:18:51,212 ALL RIGHT, HERE HE COMES. 430 00:18:51,214 --> 00:18:53,113 HERE. 431 00:18:55,083 --> 00:18:56,615 UP AND AWAY! 432 00:19:00,720 --> 00:19:04,254 IT WASN'T FAULTY MECHANICS. IT WAS MURDER. 433 00:19:04,256 --> 00:19:06,239 ELEVATORS ARE RIGGED. 434 00:19:06,240 --> 00:19:08,223 MAGNETIC DEVICE TO RELEASE THE AUTOMATIC BRAKE. 435 00:19:08,226 --> 00:19:12,126 WAS SHORT-RANGE, HAD TO BE ACTIVATED WITHIN 150 FEET. 436 00:19:12,128 --> 00:19:15,361 OUR GUY'S STILL IN THE BUILDING. 437 00:19:16,595 --> 00:19:17,595 OK. 438 00:19:17,597 --> 00:19:18,395 HERE IT COMES. 439 00:19:18,397 --> 00:19:21,131 THE PACKAGE IS ON ITS WAY. 440 00:19:21,133 --> 00:19:23,032 ROGER THAT. 441 00:19:36,980 --> 00:19:39,680 WE GOT IT. 442 00:19:43,485 --> 00:19:44,884 I BRING GIFTS. 443 00:19:44,886 --> 00:19:46,652 WE GOT THE STUFF, BUDDY. 444 00:19:46,654 --> 00:19:48,086 [BEEPING] THAT'S COMFORTING, 445 00:19:48,088 --> 00:19:51,922 'CAUSE THE CAKE JUST STARTED TICKING. 446 00:19:51,924 --> 00:19:54,791 [BEEPING] 447 00:19:59,930 --> 00:20:01,613 [BEEPING] 448 00:20:01,614 --> 00:20:03,414 HOW'D YOU GET YOURSELF INTO THIS MESS, HECTOR? 449 00:20:03,438 --> 00:20:07,372 THE USUAL WAY. I DID A MAN A FAVOR. 450 00:20:07,936 --> 00:20:11,904 YOU WANNA TAKE A SHOWER, MAYBE BLOW-DRY YOUR HAIR FIRST? 451 00:20:12,907 --> 00:20:14,840 I WAS THINKIN' MAYBE A FIRE, 452 00:20:14,842 --> 00:20:18,043 MOONLIGHT, S'MORES. 453 00:20:25,018 --> 00:20:26,551 OK. 454 00:20:26,552 --> 00:20:28,085 I'M GONNA GET MY FIRST SHOT OFF. 455 00:20:28,087 --> 00:20:30,353 [HUMS] 456 00:20:35,259 --> 00:20:36,591 Williams: OH, YEAH. 457 00:20:36,593 --> 00:20:38,893 PRESSURE DEVICE IT IS. 458 00:20:41,297 --> 00:20:43,664 WE'RE GETTIN' YOU OUT OF HERE. 459 00:20:43,666 --> 00:20:46,233 STAY RIGHT ON MY ASS. 460 00:20:46,468 --> 00:20:50,069 AND THIS IS HOW WE'RE GONNA TRAVEL. 461 00:20:51,470 --> 00:20:52,470 YOU SERIOUS? 462 00:20:52,472 --> 00:20:53,337 IT'S THE ONLY EXIT. 463 00:20:53,339 --> 00:20:56,940 WHY? BECAUSE THE DEVICE CLEARED IT. 464 00:20:56,942 --> 00:20:59,042 SNAKE DOCTOR, IT'S ALL CLEAR. 465 00:20:59,044 --> 00:21:04,113 TRAVEL ONLY WHERE IT'S VERY SCENIC. 466 00:21:04,882 --> 00:21:07,449 SHOW ME A PRUSIK KNOT. 467 00:21:19,028 --> 00:21:22,028 GIVE ME ANOTHER ONE. 468 00:21:23,231 --> 00:21:25,898 YOU REMEMBER MOUNTAINEERING CLASSES? 469 00:21:25,900 --> 00:21:26,865 I DO. 470 00:21:26,867 --> 00:21:28,700 DID YOU PASS? 471 00:21:29,002 --> 00:21:31,469 [CHUCKLES] 472 00:21:39,044 --> 00:21:41,010 LOCKS WITH TENSION. 473 00:21:41,012 --> 00:21:46,048 TENSION OFF, IT'LL SLIDE. 474 00:21:46,683 --> 00:21:48,416 [BEEPING] [HUM] 475 00:21:52,221 --> 00:21:53,520 YOU STOPPED SWEATING. 476 00:21:53,522 --> 00:21:54,721 YOU'RE DEHYDRATED. 477 00:21:54,723 --> 00:21:57,657 WE NEED TO GET SOME FLUIDS IN YOU WITHOUT YOU MOVING. 478 00:21:57,659 --> 00:21:58,924 I'M OK. LITTLE STIFF'S ALL. 479 00:21:58,926 --> 00:22:00,992 THEY'RE GOING NOW? 480 00:22:00,994 --> 00:22:01,859 MM-HMM. 481 00:22:01,861 --> 00:22:02,826 SELECTION. 482 00:22:02,828 --> 00:22:05,762 I HAD TO TAKE MY JUMARING TEST TWICE. 483 00:22:05,764 --> 00:22:08,831 HEH. IT'S LIKE A DANCE, THE FOOTWORK. 484 00:22:08,833 --> 00:22:10,800 THAT IT IS. 485 00:22:10,801 --> 00:22:12,768 Grey: OK, I GOT A SNAPSHOT OF THE CAKE. 486 00:22:12,770 --> 00:22:13,668 I SEE BATTERIES, 487 00:22:13,670 --> 00:22:14,402 MAYBE WATCH BATTERIES. 488 00:22:14,404 --> 00:22:16,270 JUST A LINE, NOTHING ABSOLUTE. 489 00:22:16,272 --> 00:22:17,070 EXPLOSIVES? 490 00:22:17,072 --> 00:22:18,905 I DON'T KNOW. MAYBE. 491 00:22:18,907 --> 00:22:20,840 WIRES FOR SURE. CIRCUITRY. 492 00:22:20,842 --> 00:22:22,875 NOW AIN'T THAT A COMFORT. 493 00:22:22,877 --> 00:22:25,344 YOU GOT TO TAKE A LEAK? 494 00:22:25,346 --> 00:22:26,845 WHERE'S THE MEDIC BAG? 495 00:22:26,847 --> 00:22:29,113 HO HO HO. 496 00:22:35,988 --> 00:22:37,387 ALL RIGHT. 497 00:22:37,389 --> 00:22:40,856 GET YOUR LEFT FOOT IN THAT STIRRUP. 498 00:22:42,059 --> 00:22:44,626 TRY NOT TO LOOK DOWN. 499 00:22:44,861 --> 00:22:49,229 DO EXACTLY WHAT I DO WHEN I DO IT. 500 00:22:49,231 --> 00:22:51,397 WE CAN DO THIS, TOM, RIGHT? 501 00:22:51,399 --> 00:22:55,134 WE'RE SURE AS HELL GONNA FIND OUT. 502 00:22:55,136 --> 00:22:59,004 RIGHT FOOT, RELEASE PRESSURE... 503 00:22:59,006 --> 00:23:01,072 NOW. 504 00:23:03,142 --> 00:23:07,076 STAND HARD TO LOCK IT. 505 00:23:07,545 --> 00:23:10,679 LEFT FOOT, ON MY MARK, 506 00:23:10,681 --> 00:23:12,514 RELEASE PRESSURE. 507 00:23:12,516 --> 00:23:14,048 NOW. 508 00:23:15,985 --> 00:23:17,150 RIGHT FOOT, 509 00:23:17,152 --> 00:23:19,551 RELEASE PRESSURE. GO. 510 00:23:20,921 --> 00:23:25,056 LEFT FOOT, RELEASE PRESSURE. GO. 511 00:23:37,603 --> 00:23:39,569 LOWERING YOUR BLOOD PRESSURE. 512 00:23:39,571 --> 00:23:41,938 THINK OF BEACHES AND WHITE SAND. 513 00:23:41,940 --> 00:23:45,074 LISBON. PINK SAND. 514 00:23:49,012 --> 00:23:51,845 AND EXHALE. 515 00:23:52,581 --> 00:23:54,213 OH, YEAH. 516 00:23:54,215 --> 00:23:56,048 GOOD BACK-FLOW. 517 00:23:56,050 --> 00:23:58,417 SOON YOU'LL BE SWEATIN' AND PEEIN' 518 00:23:58,419 --> 00:23:59,718 LIKE SECRETARIAT. 519 00:23:59,719 --> 00:24:01,559 WON'T HAVE TO WORRY ABOUT YOUR BODY LOCKIN' UP. 520 00:24:01,583 --> 00:24:03,354 YOU GET A LOLLIPOP WHEN THIS IS ALL OVER. 521 00:24:03,356 --> 00:24:06,757 OK, I GOT SOMETHIN'. 522 00:24:06,759 --> 00:24:07,791 HOW BAD? 523 00:24:07,793 --> 00:24:11,161 CAKE'S TALKIN' TO REMOTE DEVICES. 524 00:24:15,266 --> 00:24:17,399 [GASPS] 525 00:24:17,401 --> 00:24:18,733 WHAAH! 526 00:24:18,735 --> 00:24:22,036 UNH! AAH! 527 00:24:23,272 --> 00:24:25,639 HERE! 528 00:24:25,640 --> 00:24:28,007 DON'T REACH FOR ME YET. GET YOUR FOOTING FIRST. 529 00:24:29,076 --> 00:24:30,642 READY? 530 00:24:31,077 --> 00:24:32,109 OK. 531 00:24:32,111 --> 00:24:33,777 REACH FOR MY HAND. 532 00:24:48,426 --> 00:24:50,959 READY TO GO, THEN. 533 00:24:55,665 --> 00:24:57,665 Molly: HE MIGHT NOT BE HERE. 534 00:24:57,667 --> 00:24:59,867 WISH WE HAD MORE PROTECTION. 535 00:24:59,868 --> 00:25:02,228 THAT'S WHAT MAC SAID WHEN I GOT PREGNANT WITH LISSY. COME ON. 536 00:25:02,252 --> 00:25:03,904 THIS MAN IS PROBABLY A CON ARTIST. 537 00:25:03,906 --> 00:25:08,408 YOU THINK THAT VIOLENCE ISN'T IN HIS BAG OF TRICKS? 538 00:25:08,410 --> 00:25:10,910 WE'VE GOT INSURANCE AGAINST THAT... 539 00:25:10,912 --> 00:25:11,644 HIS GREED. 540 00:25:11,646 --> 00:25:14,646 WE CAN TAKE CARE OF OURSELVES. 541 00:25:15,849 --> 00:25:17,932 GIVE ME THE MONEY FIRST. 542 00:25:17,933 --> 00:25:20,573 I'M NOT GIVING YOU ANYTHING UNTIL I GET SOME INFORMATION, MR. HUONG. 543 00:25:20,597 --> 00:25:22,352 YOU KNOW HIM, PATRICK GAFFNEY? 544 00:25:22,354 --> 00:25:24,104 HE GOES BY THE NAME... 545 00:25:24,105 --> 00:25:25,855 DOUG McBRIDE, FIFTIES, AMERICAN, EX-PAT. 546 00:25:25,857 --> 00:25:27,122 DO I PASS? 547 00:25:27,124 --> 00:25:28,735 WHERE IS HE? 548 00:25:28,736 --> 00:25:30,347 I CAN GIVE YOU DIRECTIONS AFTER I'M PAID. 549 00:25:30,348 --> 00:25:31,959 I'M NOT GIVING YOU ANY MONEY UNTIL WE'RE SURE IT'S HIM. 550 00:25:31,962 --> 00:25:32,927 WHERE WAS HE BORN? 551 00:25:32,929 --> 00:25:34,295 HOW MANY BROTHERS DOES HE HAVE? 552 00:25:34,297 --> 00:25:35,963 WHAT WAS HIS FAVORITE BASEBALL TEAM? 553 00:25:35,965 --> 00:25:39,499 NO, YOU GIVE ME MONEY, I MAKE THE CALL. 554 00:25:47,174 --> 00:25:49,874 NOW, I CAN'T SPEND THIS, CAN I? 555 00:25:49,876 --> 00:25:51,976 YESTERDAY'S DATE ON THE NEWSPAPER. 556 00:25:51,978 --> 00:25:53,978 WE HAVE THE MONEY. 557 00:25:53,980 --> 00:25:55,946 1,000 U.S. DOLLARS. 558 00:25:55,948 --> 00:26:00,016 IT'S YOURS WHEN I GET THE ANSWERS. 559 00:26:00,485 --> 00:26:02,952 STAY HERE. 560 00:26:06,990 --> 00:26:10,458 Kevin: I HAVE TO ASK YOU A FEW QUESTIONS. 561 00:26:10,460 --> 00:26:12,560 WHERE WERE YOU BORN? 562 00:26:15,031 --> 00:26:18,499 BORN DAYTON, OHIO. NO BROTHERS, NO SISTERS. 563 00:26:18,501 --> 00:26:20,501 FAVORITE BASEBALL TEAM. 564 00:26:20,502 --> 00:26:22,502 WHAT'S YOUR FAVORITE BASEBALL TEAM? 565 00:26:22,505 --> 00:26:25,705 'CAUSE I'M BUYING YOU SEASON TICKETS. 566 00:26:27,809 --> 00:26:30,075 CHICAGO WHITE SOX. 567 00:26:33,879 --> 00:26:35,812 YOU TAKE US TO PATRICK GAFFNEY. 568 00:26:35,814 --> 00:26:39,081 WE'LL ALL GO BACK TO OUR HOTEL TOGETHER 569 00:26:39,083 --> 00:26:41,316 AND GET YOU THE MONEY. 570 00:26:45,521 --> 00:26:48,054 [FAUCET TURNS] 571 00:26:52,326 --> 00:26:54,660 WHY ARE YOU HERE? 572 00:26:54,661 --> 00:26:57,061 KIM'S FEVER'S WORSE, AND SHE'S STILL WORRIED ABOUT YOUR GIRLS. 573 00:26:57,085 --> 00:26:58,563 YOU KNOW, DINNER ON THE TABLE, 574 00:26:58,565 --> 00:27:01,899 DIRTY DISHES IN THE SINK... THAT KIND OF THING. 575 00:27:01,901 --> 00:27:04,235 SHE MADE ME PROMISE. 576 00:27:04,236 --> 00:27:06,570 I WON'T SAY A WORD, OK, SO DON'T WORRY. 577 00:27:06,572 --> 00:27:08,756 DON'T WORRY ABOUT ME AT ALL. 578 00:27:08,757 --> 00:27:10,997 I'LL FIND SOMEBODY TOMORROW TO HELP ME OUT WITH THE GIRLS. 579 00:27:11,021 --> 00:27:14,655 WELL, I CAN PICK 'EM UP AFTER SOCCER PRACTICE. 580 00:27:15,580 --> 00:27:17,680 THAT WON'T BE NECESSARY. 581 00:27:17,682 --> 00:27:19,982 IT'S ALL RIGHT. 582 00:27:20,884 --> 00:27:22,083 HOW'S JEREMY? 583 00:27:22,085 --> 00:27:24,318 I DON'T KNOW. 584 00:27:25,254 --> 00:27:28,088 PRETTY HORRIBLE OF ME, HUH? 585 00:27:28,090 --> 00:27:31,691 HE COULD PROBABLY USE YOU RIGHT NOW. 586 00:27:37,364 --> 00:27:39,063 [SNORTING] 587 00:27:39,065 --> 00:27:40,464 Kevin: PATRICK! 588 00:27:40,466 --> 00:27:43,099 PATRICK GAFFNEY! 589 00:27:45,436 --> 00:27:48,136 YOU GOT THE MONEY YET? 590 00:27:48,138 --> 00:27:51,572 WHEN YOU GET THE MONEY, WE'LL TALK. 591 00:27:51,574 --> 00:27:53,440 YOU SON OF A BITCH. 592 00:27:54,075 --> 00:27:56,775 TAKE HIM TO THE HOTEL AND GET HIM THE MONEY. 593 00:27:56,777 --> 00:27:59,944 BUT THE MAN'S TRYING TO STEAL FROM HIS OWN MOTHER. 594 00:27:59,946 --> 00:28:03,847 I DIDN'T COME THIS FAR TO STOP NOW. DO IT. 595 00:28:04,916 --> 00:28:06,448 I GOT YOUR ADDRESS. 596 00:28:06,450 --> 00:28:08,483 YOU GOT SOME SWEET CONTRABAND, YOUR ROOM, 597 00:28:08,485 --> 00:28:12,119 SO YOU BE BACK HERE IN 2 HOURS. 598 00:28:17,785 --> 00:28:19,225 LOOK, WE CLEARED AS MUCH AS WE COULD, 599 00:28:19,226 --> 00:28:21,146 BUT THERE ARE STILL SOME JAGGED EDGES. BE CAREFUL. 600 00:28:21,148 --> 00:28:22,547 AW, THAT'S GOOD TO KNOW. 601 00:28:22,549 --> 00:28:23,895 [RADIO CHATTER] 602 00:28:24,764 --> 00:28:27,030 Ryan: GIVE HIM A HAND. 603 00:28:30,268 --> 00:28:31,333 YOU OK? 604 00:28:31,335 --> 00:28:33,834 AHH! 605 00:28:34,903 --> 00:28:36,669 OHH. 606 00:28:36,671 --> 00:28:38,904 TOM, THANK YOU. 607 00:28:38,906 --> 00:28:41,940 NYPD's GONNA ESCORT YOU OUT OF HERE 608 00:28:41,942 --> 00:28:43,241 AND GET YOU TO A SAFE HOUSE. 609 00:28:43,243 --> 00:28:44,909 WE'RE DONE HERE, WE'LL PICK YOU UP. 610 00:28:44,911 --> 00:28:48,078 I GOT A MAN UPSTAIRS. HE'S IN DANGER NOW. 611 00:28:48,080 --> 00:28:50,647 YOU'LL BE SAFE WITH THESE MEN. 612 00:28:50,649 --> 00:28:52,181 OFF YOU GO. 613 00:28:57,288 --> 00:28:59,354 THAT WAS A BITCH. 614 00:28:59,923 --> 00:29:01,473 2 BLASTING CAPS. 615 00:29:01,474 --> 00:29:03,024 SMALL QUANTITIES OF WHAT APPEAR TO BE EXPLOSIVES 616 00:29:03,026 --> 00:29:03,824 WITH MULTIPLE COLLAPSING CIRCUITS. 617 00:29:03,826 --> 00:29:05,358 BECAUSE IT'S A PRESSURE VESSEL. 618 00:29:05,360 --> 00:29:07,026 HAS TO CONTAIN SOME SORT OF GAS. 619 00:29:07,028 --> 00:29:09,862 ONCE GAS IS RELEASED, GOES THROUGH AIR DUCTS, 620 00:29:09,864 --> 00:29:11,886 BUILDING'S CONTAMINATED. 621 00:29:11,887 --> 00:29:13,909 THERE'S A SECOND TRANSMITTER IN THERE, BOSS. 622 00:29:13,910 --> 00:29:15,932 MEANS THERE'S AT LEAST ONE OTHER DEVICE IN THE BUILDING, IF NOT MORE. 623 00:29:15,935 --> 00:29:17,334 CAKE'S TALKIN' TO 'EM? 624 00:29:17,336 --> 00:29:19,202 YEAH. CHATTIN' UP A STORM. 625 00:29:19,204 --> 00:29:21,304 COULD BE GAS, ANTHRAX, RICIN, AIR. 626 00:29:21,306 --> 00:29:22,938 THE CAKE'S THE ARMING DEVICE. 627 00:29:22,940 --> 00:29:25,840 THE PRESSURE BUTTON THAT WILLIAMS' FOOT IS ON, 628 00:29:25,842 --> 00:29:26,841 THAT'S THE TRIGGER. 629 00:29:26,843 --> 00:29:28,442 FOR ALL OF 'EM? THAT'S RIGHT. 630 00:29:28,444 --> 00:29:30,610 FOR ALL OF 'EM, WHEREVER THEY ARE. 631 00:29:30,612 --> 00:29:32,178 WE GOT HALF THE EMPLOYEES IN THE BUILDING 632 00:29:32,180 --> 00:29:33,145 LOCKED DOWN IN THEIR OFFICES. 633 00:29:33,147 --> 00:29:34,880 NOT ANYMORE. WE HAVE TO TAKE OUR CHANCES 634 00:29:34,882 --> 00:29:36,602 WITH THE STAIRWELLS, PRAY THEY AIN'T RIGGED. 635 00:29:36,604 --> 00:29:37,936 IT'S BETTER THAN GETTING GASSED. 636 00:29:37,938 --> 00:29:39,516 YOU JUST LOCKED THE BUILDING DOWN, 637 00:29:39,518 --> 00:29:41,050 AND NOW YOU WANNA CLEAR IT? 638 00:29:41,052 --> 00:29:42,418 OUR PACKAGE IS SAFE. 639 00:29:42,419 --> 00:29:44,179 WHITE HOUSE WON'T GIVE ME A POSTHUMOUS AWARD, 640 00:29:44,203 --> 00:29:46,855 NO DIPLOMATS ARE LEFT TO ATTEND EACH OTHER'S FUNERALS. 641 00:29:46,857 --> 00:29:50,124 I SUGGEST WE FIND OUT WHAT THE GAS IS... 642 00:29:50,126 --> 00:29:52,993 AND THE BAD BOY WHO PUT IT THERE. 643 00:29:52,995 --> 00:29:55,528 [BEEPING] 644 00:29:59,133 --> 00:30:01,000 SIGN IN, CHECK OUT, NO ONE FROM A BAKERY 645 00:30:01,001 --> 00:30:02,921 OR WITH ANYTHING THAT SET OFF THE METAL DETECTORS. 646 00:30:02,923 --> 00:30:04,763 NO, THIS WOULDN'T HAVE. THEY HAVE TO SHOW I.D.? 647 00:30:04,787 --> 00:30:07,138 DRIVER'S LICENSE, WHICH WE HOLD TILL THEY LEAVE. 648 00:30:07,140 --> 00:30:08,340 AN EMPLOYEE SHOWS KEY-CARD I.D. 649 00:30:08,364 --> 00:30:10,908 ALL VISITORS STOP AT THE DESK BEFORE THEY LEAVE. 650 00:30:10,910 --> 00:30:13,176 I HAVE TO BELIEVE SOME PEOPLE SLIP BY. 651 00:30:13,178 --> 00:30:15,145 PEOPLE COMING IN TO DO WORK, OUTSIDE CONTRACTORS, 652 00:30:15,147 --> 00:30:17,113 THEY GOTTA LEAVE THEIR LICENSES AND BUSINESS CARDS, 653 00:30:17,115 --> 00:30:19,281 KNOW WHERE THEY'RE GOING AND TO DO WHAT. 654 00:30:19,283 --> 00:30:20,615 SEVERAL AREAS ARE RESTRICTED. 655 00:30:20,617 --> 00:30:22,300 AND WHAT DO YOU DO 656 00:30:22,301 --> 00:30:24,461 WITH THE CARDS AND LICENSES WHEN THEY'RE NOT PICKED UP? 657 00:30:24,485 --> 00:30:27,121 Grey: COOL BREEZE, BETTY BLUE HAS A CHRISTMAS LIST. 658 00:30:27,123 --> 00:30:28,655 ALL RIGHT. TELL ME EVERYTHING YOU NEED. 659 00:30:28,657 --> 00:30:32,792 ESTHER GETZ, CHECKED IN 11 A.M. YESTERDAY. 660 00:30:32,794 --> 00:30:34,960 YEAH, DECORATING KAY TROY'S OFFICE. 661 00:30:34,962 --> 00:30:36,094 REMOVED BY AMBULANCE 662 00:30:36,096 --> 00:30:38,629 POST-CHEST-PAINS 2 HOURS AFTER CHECK IN. 663 00:30:38,631 --> 00:30:41,498 MICKEY CAPRIO, A CHEF, TODAY 8 A.M. 664 00:30:41,500 --> 00:30:42,632 A COOKING DEMO FOR... 665 00:30:42,634 --> 00:30:44,384 YEAH, FOR OUR HEAD CHEF HERE. 666 00:30:44,385 --> 00:30:46,265 I SAW CAPRIO IN THE MAIN KITCHEN WHEN I SWEPT IT. 667 00:30:46,289 --> 00:30:48,670 EVAN SKAFF, 42, DULANIAN A.C. 668 00:30:48,672 --> 00:30:50,705 CHECKED IN YESTERDAY 4:45 A.M. 669 00:30:50,707 --> 00:30:53,607 HE NEVER CHECKED OUT. HOW COME THIS WASN'T RED-FLAGGED? 670 00:30:53,609 --> 00:30:55,675 SERVICEMEN, SOMETIMES THEY TAKE HOURS, 671 00:30:55,677 --> 00:30:57,343 CHECK IN DURING ONE SHIFT. 672 00:30:57,344 --> 00:30:59,224 NEXT SHIFT PROBABLY FIGURED HE WAS STILL WORKING. 673 00:30:59,248 --> 00:31:00,612 WHAT AREA DOES HE HAVE ACCESS TO? 674 00:31:00,614 --> 00:31:01,679 AIR DUCTS, BASEMENT. 675 00:31:01,681 --> 00:31:02,546 CALL HIS COMPANY. 676 00:31:02,548 --> 00:31:05,115 SEE IF THEY KNOW WHERE THIS FELLA IS, 677 00:31:05,117 --> 00:31:06,049 ALL RIGHT? YEAH. 678 00:31:06,051 --> 00:31:07,550 SNAKE DOCTOR, I GOT A FEW NAMES 679 00:31:07,552 --> 00:31:09,518 YOU'RE GONNA WANNA RUN PAST THE SECRETARY GENERAL. 680 00:31:09,520 --> 00:31:12,020 ALL RIGHT, I NEED EXACTLY WHAT'S ON THIS LIST NOW. 681 00:31:12,022 --> 00:31:14,188 SEND ONE OF YOUR GUYS WITH AN NYPD COP. 682 00:31:14,190 --> 00:31:16,123 I WANNA HEAR THOSE SIRENS GOING. 683 00:31:16,125 --> 00:31:16,890 YOU GOT IT. 684 00:31:16,892 --> 00:31:18,041 [BEEPING] 685 00:31:18,042 --> 00:31:19,202 HOW'S IT COMING, MR. GOLDBERG? 686 00:31:19,226 --> 00:31:21,158 Grey: HALFWAY HOME. 687 00:31:23,530 --> 00:31:25,213 YOU WANTED ME? 688 00:31:25,214 --> 00:31:26,897 A MAN FROM DELANIAN AIR CONDITIONING, 689 00:31:26,900 --> 00:31:27,665 NAME'S EVAN SKAFF, 690 00:31:27,667 --> 00:31:29,299 SHOWED UP HERE YESTERDAY MORNING. 691 00:31:29,301 --> 00:31:31,200 NEVER LEFT. CALLED THE COMPANY. 692 00:31:31,202 --> 00:31:33,235 SKAFF CALLED IN SICK TODAY. 693 00:31:33,237 --> 00:31:35,036 CALLED HIS HOME. NO ANSWER. 694 00:31:35,038 --> 00:31:36,704 TAKE A LOOK AT THIS. 695 00:31:36,706 --> 00:31:38,706 YOU KNOW THIS MAN? 696 00:31:38,708 --> 00:31:40,074 Grey: HEY... 697 00:31:40,076 --> 00:31:42,609 CAN YOU KIDS PLAY IN THE YARD? 698 00:31:51,052 --> 00:31:53,185 THAT'S THE CONNECTION. 699 00:31:53,187 --> 00:31:54,586 NIKA PETROS. 700 00:31:54,587 --> 00:31:56,147 THE GUY THAT DIED IN THE ELEVATOR CRASH. 701 00:31:56,171 --> 00:31:59,090 3 YEARS AGO, HE WAS DRIVING DRUNK IN BROOKLYN, 702 00:31:59,092 --> 00:32:01,892 TOOK A CORNER TOO FAST, AND... 703 00:32:01,894 --> 00:32:03,360 HIT SKAFF'S SON. 704 00:32:03,362 --> 00:32:04,327 12 YEARS OLD. 705 00:32:04,329 --> 00:32:05,895 SKAFF BOY DIED. 706 00:32:05,897 --> 00:32:08,864 YES. PETROS WASN'T ARRESTED. 707 00:32:08,866 --> 00:32:10,765 DIPLOMATIC IMMUNITY. 708 00:32:10,767 --> 00:32:12,733 BOSS. 709 00:32:12,735 --> 00:32:14,000 IT'S RICIN. 710 00:32:14,002 --> 00:32:15,185 YOU CERTAIN? 711 00:32:15,186 --> 00:32:16,586 YEAH. SPOT ON THE FILM LOOKED FUZZY. 712 00:32:16,610 --> 00:32:18,170 I TOOK ANOTHER SHOT. 713 00:32:18,172 --> 00:32:20,205 MAGNIFIED 1000-X, LOOKED LIKE A SEURAT PAINTING, 714 00:32:20,207 --> 00:32:23,341 GRAINS SO SMALL, STILL COULDN'T MAKE 'EM OUT. 715 00:32:23,343 --> 00:32:24,375 HALLMARK OF RICIN. 716 00:32:24,377 --> 00:32:25,275 MR. GREEN KNOW? 717 00:32:25,277 --> 00:32:27,243 NO. THAT'S WHY I CAME OUT HERE. 718 00:32:27,245 --> 00:32:29,211 HE'S GOT OTHER THINGS ON HIS MIND. 719 00:32:29,213 --> 00:32:31,613 GAS MASKS. WE COULD ALL WEAR GAS MASKS. 720 00:32:31,615 --> 00:32:33,414 RICIN IS ABSORBED THROUGH THE PORES, 721 00:32:33,416 --> 00:32:36,850 AND THERE AIN'T ONE OF US NOT SWEATIN'. 722 00:32:37,352 --> 00:32:38,584 CAN YOU DISARM IT? 723 00:32:38,586 --> 00:32:40,452 I'LL DO MY LEVEL BEST. 724 00:32:40,454 --> 00:32:42,120 GENTLEMEN, SEEMS WE HAVE CONFIRMATION 725 00:32:42,122 --> 00:32:46,423 THAT SKAFF'S THE FOOL PLAYING RED ROVER AT THE U.N. 726 00:32:46,425 --> 00:32:51,127 HE'S STILL IN THE BUILDING, YOU FIND HIM FAST. 727 00:32:52,021 --> 00:32:53,061 FOUND SKAFF'S A.C. UNIFORM. 728 00:32:53,063 --> 00:32:55,296 HE DUMPED IT IN AN AIR DUCT BACK THERE. 729 00:32:55,298 --> 00:32:56,930 WHO KNOWS HOW HE'S DRESSED NOW? 730 00:32:56,932 --> 00:32:58,064 THIS AIR DUCT HERE? 731 00:32:58,066 --> 00:33:00,149 YEAH. THAT'S THE ONE. 732 00:33:00,150 --> 00:33:02,310 ALL RIGHT, HE'D HAVE ACCESS HERE, HERE, HERE, AND HERE. 733 00:33:02,313 --> 00:33:03,178 THEY'RE ALL VULNERABLE. 734 00:33:03,180 --> 00:33:05,636 CORKSCREW, KNIFE, SCREWDRIVER, 735 00:33:05,638 --> 00:33:06,970 RIP AN ARM OFF A METAL CHAIR, 736 00:33:06,972 --> 00:33:09,939 ANYTHING COMMON'D GAIN A GUY WHO KNOWS HIS WAY AROUND ACCESS. 737 00:33:09,941 --> 00:33:13,075 SKAFF WAS HERE, HE'D HAVE A SMORGASBORD OF CHOICES. 738 00:33:13,077 --> 00:33:16,278 ALL RIGHT, WE'RE HERE IN THE BASEMENT OF THE SECRETARIAT BUILDING. 739 00:33:16,280 --> 00:33:16,978 WHAT'S THIS? 740 00:33:16,980 --> 00:33:18,646 I DIDN'T CATCH THAT. THAT'S... 741 00:33:18,648 --> 00:33:21,882 THAT'S A CRAWL SPACE THAT LEADS FROM THIS BUILDING 742 00:33:21,884 --> 00:33:22,916 INTO A COURTYARD. 743 00:33:22,918 --> 00:33:25,485 MAN COULD JUST... 744 00:33:25,487 --> 00:33:26,786 WALK OUT. 745 00:33:26,788 --> 00:33:28,137 AND GO WHERE? 746 00:33:28,138 --> 00:33:29,778 HE'D WANT TO KNOW THAT HIS MISSION'S DONE. 747 00:33:29,781 --> 00:33:30,946 IF HE'S NOT IN THIS BUILDING, 748 00:33:30,948 --> 00:33:34,024 IT'S A GOOD BET HE'S WATCHIN' IT. 749 00:33:34,760 --> 00:33:35,892 POLICE KEEP IT ON THE BOOKS, 750 00:33:35,894 --> 00:33:37,454 ANY GUY EVER LOSE HIS DIPLOMATIC STATUS? 751 00:33:37,478 --> 00:33:40,061 LAST YEAR, THE GREEK GOVERNMENT GOT FED UP WITH PETROS, 752 00:33:40,063 --> 00:33:43,397 WANTED TO PULL HIS CREDENTIALS AND HAND HIM OVER TO NYPD. 753 00:33:43,399 --> 00:33:44,798 AND PETROS CAME TO YOU. 754 00:33:44,800 --> 00:33:47,066 I HAD AN IMPORTANT VOTE ON THE FLOOR, 755 00:33:47,068 --> 00:33:50,135 AND HE COULD HELP ME WIN, A VOTE ABOUT... 756 00:33:50,137 --> 00:33:51,836 WHY THE HELL WOULD I CARE? 757 00:33:51,838 --> 00:33:55,639 THE NERVE GAS, RICIN IN THAT DEVICE, 758 00:33:55,641 --> 00:33:59,576 WOULD MAKE THE U.N. UNINHABITABLE FOR AT LEAST 2 YEARS, 759 00:33:59,578 --> 00:34:03,479 KILL MY MEN AND ANYONE ELSE THAT'S STILL HERE. 760 00:34:03,481 --> 00:34:05,447 [SIGHS] WHEN YOU ASKED, I DIDN'T REMEMBER. 761 00:34:05,449 --> 00:34:08,750 I GET LETTERS FROM PEOPLE ALL OVER THE WORLD... 762 00:34:08,752 --> 00:34:10,351 AND YOU FORGOT. 763 00:34:11,253 --> 00:34:13,620 YES. 764 00:34:13,622 --> 00:34:16,022 THAT'S RIGHT. 765 00:34:20,961 --> 00:34:23,094 HOW CAN YOU DO THIS TO YOUR OWN MOTHER? 766 00:34:23,096 --> 00:34:25,963 EVERY PENNY SHE HAD, SHE GAVE TO ME TO FIND YOU, 767 00:34:25,965 --> 00:34:29,966 AND HERE YOU ARE, A DEADBEAT DESERTER. 768 00:34:29,968 --> 00:34:33,302 YOUR MOTHER IS DYING, PATRICK. 769 00:34:33,304 --> 00:34:35,003 I DON'T EXPECT YOU TO UNDERSTAND, 770 00:34:35,005 --> 00:34:36,971 AND I DON'T NEED TO EXPLAIN MYSELF. 771 00:34:36,973 --> 00:34:40,107 CALL HER. LET HER HEAR YOUR VOICE. GIVE HER THAT. 772 00:34:40,109 --> 00:34:42,642 SHE DOESN'T HAVE TO KNOW YOU STOLE FROM HER. 773 00:34:42,644 --> 00:34:44,477 YOU'LL STILL GET YOUR MONEY. 774 00:34:44,479 --> 00:34:46,178 I DON'T THINK SO. 775 00:34:46,180 --> 00:34:49,014 I MET YOUR MOTHER. 776 00:34:49,015 --> 00:34:51,849 SHE CAME TO MY DOOR WITH ONE THING ON HER MIND, 777 00:34:51,851 --> 00:34:55,669 HER BABY. 778 00:34:55,670 --> 00:34:59,488 SHE DIDN'T STRIKE ME AS A WOMAN WHO RAISED SOMEONE WHO DIDN'T CARE. 779 00:34:59,491 --> 00:35:02,959 REMEMBER THOSE DAYS IN BALTIMORE? 780 00:35:06,897 --> 00:35:09,130 NOT ANYMORE. 781 00:35:14,836 --> 00:35:17,069 TURN AROUND. 782 00:35:17,071 --> 00:35:19,538 I SAID TURN AROUND. 783 00:35:19,540 --> 00:35:21,840 I REMEMBER BALTIMORE. WHAT'S IT TO YOU? 784 00:35:21,842 --> 00:35:23,842 YOU REMEMBER BALTIMORE, BUT YOU FORGET 785 00:35:23,844 --> 00:35:25,743 THAT YOU'RE SUPPOSED TO HAVE SCARS 786 00:35:25,745 --> 00:35:28,545 AROUND YOUR NECK FROM BOILING WATER. 787 00:35:28,547 --> 00:35:31,146 WHO ARE YOU? 788 00:35:32,849 --> 00:35:35,583 [BEEPING] 789 00:35:35,585 --> 00:35:37,184 HE ASLEEP? 790 00:35:37,186 --> 00:35:39,219 BIOFEEDBACK. 791 00:35:39,221 --> 00:35:41,621 SEE HIS EYE MOVEMENTS, 792 00:35:41,622 --> 00:35:44,022 DARTING BACK AND FORTH AS IF HE WAS IN REM SLEEP? 793 00:35:44,025 --> 00:35:45,357 HE'S VISUALIZING. 794 00:35:45,359 --> 00:35:47,225 LOWERS THE BLOOD PRESSURE. 795 00:35:47,227 --> 00:35:49,777 SLOWS THE HEART RATE. 796 00:35:49,778 --> 00:35:52,328 HE WAS ASLEEP, HE COULDN'T KEEP HIS MUSCLES TAUT. 797 00:35:53,432 --> 00:35:55,432 [BUMPS DESK] 798 00:35:56,001 --> 00:36:00,102 THINK IT'S TIME TO GET YOU OUT OF HERE NOW, MR. SECRETARY. 799 00:36:00,104 --> 00:36:01,870 THE STAIRWELL SHOULD BE SAFE TO USE. 800 00:36:01,872 --> 00:36:06,173 BUT THE MAN WHO WANTS TO KILL ME IS STILL IN THE BUILDING. 801 00:36:06,175 --> 00:36:08,942 WELL, YES, THERE IS THAT. 802 00:36:16,884 --> 00:36:18,116 CHILLY TONIGHT, HUH? 803 00:36:18,118 --> 00:36:19,884 MM-HMM. 804 00:36:19,886 --> 00:36:23,320 Officer: YOU ALL RIGHT, MAN? 805 00:36:24,690 --> 00:36:26,773 [RADIO SQUELCH] 806 00:36:26,774 --> 00:36:28,857 Ryan: NOTHING HERE. I'M ABOUT TO EXIT ON YOUR END. 807 00:36:28,860 --> 00:36:30,893 HEY, YOU LOST, BUDDY? 808 00:36:30,895 --> 00:36:32,060 NO, MAN. I'M JUST OUT HERE... 809 00:36:32,062 --> 00:36:34,695 TALKIN' TO SOMEBODY ON A WALKIE? LET ME SEE SOME I.D. 810 00:36:34,697 --> 00:36:36,057 LOOK, MAN, I'M JUST OUT FOR A WALK. 811 00:36:36,081 --> 00:36:37,897 I DON'T NEED TO BE HASSLED BY YOU TWO. JUST... 812 00:36:37,899 --> 00:36:40,132 AW, COME ON, BRO. THIS ISN'T... OK. ALL RIGHT. 813 00:36:40,134 --> 00:36:41,800 ALL RIGHT, ALL RIGHT. 814 00:36:41,802 --> 00:36:43,802 AH. LOOKY HERE. 815 00:36:43,804 --> 00:36:44,602 I'LL GO FOR HELP. 816 00:36:44,604 --> 00:36:46,804 NO, STAY HERE. I NEED YOUR HELP. 817 00:36:46,806 --> 00:36:47,905 YEAH. HE NEEDS YOUR HELP. 818 00:36:47,907 --> 00:36:50,107 WHO THE HELL ARE YOU? LET ME SEE YOUR HANDS. 819 00:36:50,109 --> 00:36:52,142 YOU KNOW THIS OFFICER? 820 00:36:52,144 --> 00:36:54,110 I WAS SMOKIN', AND HE CAME UP. 821 00:36:54,112 --> 00:36:56,012 LOOK, HE'S GOT THE BADGE. 822 00:36:56,014 --> 00:36:59,214 GIVE MY BUDDY BACK HIS GUN. 823 00:37:00,050 --> 00:37:02,083 MY SINCEREST APOLOGIES. 824 00:37:02,085 --> 00:37:04,652 LET ME SEE YOUR HANDS. 825 00:37:10,659 --> 00:37:14,827 WHERE'S THE OTHER DEVICES, MR. SKAFF? 826 00:37:16,397 --> 00:37:19,698 I WAS JUST GIVIN' 'EM BOTH, THIS WHOLE PLACE 827 00:37:19,700 --> 00:37:21,266 WHAT THEY DESERVE FOR MY SON. 828 00:37:21,268 --> 00:37:23,101 CONFIRMING RICIN IS IN THE CAKE, 829 00:37:23,103 --> 00:37:25,086 BUT THERE ARE NO OTHER DEVICES. 830 00:37:25,087 --> 00:37:27,070 THE BUILDING'S BEEN CLEARED, SAVE FOR YOU LADS. 831 00:37:27,073 --> 00:37:28,406 ROGER THAT. 832 00:37:28,407 --> 00:37:29,927 WE GOT 3 DIFFERENT COLLAPSING CIRCUITS. 833 00:37:29,951 --> 00:37:31,908 WE HAVE TO HIT ALL 3 SIMULTANEOUSLY. 834 00:37:31,910 --> 00:37:34,911 I'VE SET THESE WATER CANNONS TO FIRE ON ONE CIRCUIT, 835 00:37:34,913 --> 00:37:37,013 TAKE OUT THE POWER SOURCES. 836 00:37:37,015 --> 00:37:38,614 ANYTHING OFF BY A MILLIMETER, 837 00:37:38,616 --> 00:37:39,915 AIN'T GONNA BE VERY GOOD. 838 00:37:39,917 --> 00:37:43,451 YOU MISS, I MOVE ONE WAY OR THE OTHER. 839 00:37:43,453 --> 00:37:44,885 IS THAT A GO, NO GO? 840 00:37:44,887 --> 00:37:47,087 [BEEPING] 841 00:37:47,089 --> 00:37:48,054 WE'LL GO. 842 00:37:48,056 --> 00:37:51,624 THAT'S A GO, COOL BREEZE. 843 00:38:17,718 --> 00:38:19,350 SNAKE DOC. 844 00:38:20,720 --> 00:38:23,219 SNAKE DOC, ARE YOU THERE? 845 00:38:24,922 --> 00:38:26,421 WHO WANTS CAKE? 846 00:38:26,423 --> 00:38:28,122 HOLD IT. WAIT. LET ME CHECK IT. 847 00:38:28,124 --> 00:38:31,391 WHAT'S TO CHECK? I'M WEARIN' IT. 848 00:38:35,596 --> 00:38:37,762 OK, MOVE. 849 00:38:37,764 --> 00:38:38,896 I CAN'T. 850 00:38:38,898 --> 00:38:40,597 [WINCING] 851 00:38:40,599 --> 00:38:45,301 MY KNEE LOCKED A COUPLE HOURS AGO. 852 00:38:47,938 --> 00:38:49,103 HELL OF A DAY. 853 00:38:49,105 --> 00:38:52,172 LET'S TUCK THIS POOR LAD IN. 854 00:38:54,142 --> 00:38:55,975 COLONEL. 855 00:38:55,977 --> 00:38:59,978 I TURN INTO A COLONEL AT MIDNIGHT. 856 00:38:59,980 --> 00:39:00,979 IT'S 2230. 857 00:39:00,981 --> 00:39:04,082 I GOT 90 MINUTES TO GET MY MATES DRUNK. 858 00:39:04,084 --> 00:39:06,951 WELL, THAT SOUNDS GOOD TO ME, TOM. 859 00:39:06,953 --> 00:39:12,389 HE PROCEEDS TO "TOMMY," SIR, FEEL FREE TO PULL THE PIN. 860 00:39:16,827 --> 00:39:18,993 YOU BASTARD. 861 00:39:19,428 --> 00:39:21,094 PAY UP. 862 00:39:21,096 --> 00:39:22,095 HE'S NOT PATRICK GAFFNEY. 863 00:39:22,097 --> 00:39:25,431 HE'S AN IMPOSTER. DON'T GIVE IT TO HIM. 864 00:39:25,433 --> 00:39:27,032 GIVE ME MY HALF. 865 00:39:27,034 --> 00:39:29,367 NO, SIR. 866 00:39:29,368 --> 00:39:31,701 YOU GOT HIS NAME, AND YOU GOT SOME OF HIS LIFE STORY. 867 00:39:31,704 --> 00:39:33,454 HOW IS THAT? 868 00:39:33,455 --> 00:39:35,295 YOU HAD TO KNOW HIM, KNOW SOMEONE WHO KNEW HIM, 869 00:39:35,319 --> 00:39:37,674 HAD TO KNOW HIM WELL. 870 00:39:37,676 --> 00:39:42,211 YOU KNOW WHERE HE IS? IS HE ALIVE? 871 00:39:42,880 --> 00:39:44,246 NO. 872 00:39:45,115 --> 00:39:46,915 WHEN? 873 00:39:46,916 --> 00:39:48,716 6 JULY, 1969. NOW GIVE ME MY MONEY. 874 00:39:48,718 --> 00:39:50,050 THE HELL I WILL. 875 00:39:50,052 --> 00:39:55,722 YOU PROVE TO ME HE'S DEAD, YOU'LL GET YOUR MONEY. 876 00:39:57,992 --> 00:40:00,025 [ZIPS PURSE] 877 00:40:00,027 --> 00:40:02,327 Molly: AN UNMARKED GRAVE. 878 00:40:02,329 --> 00:40:05,096 COULD BE ANYONE. 879 00:40:24,917 --> 00:40:27,183 YOU BURIED HIM. 880 00:40:27,185 --> 00:40:28,083 DID YOU KILL HIM? 881 00:40:28,085 --> 00:40:29,918 WE WERE AT THE HANOI HILTON TOGETHER. 882 00:40:29,920 --> 00:40:33,854 PAT DIED A MONTH OR TWO AFTER THEY MADE HIM MAKE THAT TAPE. 883 00:40:33,856 --> 00:40:37,423 THEY BURIED HIM HERE. 884 00:40:37,425 --> 00:40:39,057 YOU TOOK HIS IDENTITY. 885 00:40:39,059 --> 00:40:41,859 COULDN'T YOU HAVE WRITTEN HIS MOTHER A LETTER 886 00:40:41,861 --> 00:40:43,760 LETTING HER KNOW HER SON HAD DIED, 887 00:40:43,762 --> 00:40:45,595 HOW HE DIED, WHAT YOU KNEW ABOUT HIM? 888 00:40:45,597 --> 00:40:51,366 THIS PLACE IS WHERE THEY BURIED A LOT OF US DIED IN CAPTIVITY. 889 00:40:51,368 --> 00:40:52,367 YOU DIDN'T DIE. 890 00:40:52,369 --> 00:40:54,168 YOU COULD MAKE IT RIGHT. 891 00:40:54,170 --> 00:40:56,503 WHAT'S IN IT FOR ME? 892 00:41:08,716 --> 00:41:11,516 YOU KNOW WHAT YOU ARE, LADY? 893 00:41:11,518 --> 00:41:13,050 YOU'RE DELUDED. 894 00:41:13,052 --> 00:41:15,952 TO GIVE PEOPLE PEACE. 895 00:41:15,954 --> 00:41:18,621 THERE IS NO PEACE. 896 00:41:18,623 --> 00:41:23,959 YOU PLAN TO DESERT EVERYTHING AND EVERYONE YOU KNOW, 897 00:41:23,961 --> 00:41:27,395 YOUR COUNTRY, YOUR ARMY, YOUR FAMILY. 898 00:41:27,397 --> 00:41:31,698 YOU GONNA BE ONE, BE A BIG, RED ONE. 899 00:41:33,401 --> 00:41:35,367 TELL ME YOUR NAME. 900 00:41:35,369 --> 00:41:39,470 TELL ME YOUR NAME. I'LL CALL YOUR FAMILY. 901 00:41:40,606 --> 00:41:43,273 AND WHO WOULD THAT BE? 902 00:42:05,896 --> 00:42:08,496 [CRYSTAL CRYING] 903 00:42:23,078 --> 00:42:24,977 I WENT TO SEE JEREMY. 904 00:42:24,979 --> 00:42:28,180 I GOT AS FAR AS HIS DOOR. 905 00:42:29,183 --> 00:42:30,649 I CAN'T LOOK AT HIM, OK? 906 00:42:30,651 --> 00:42:36,086 I CAN'T BRING MYSELF TO LOOK AT WHAT USED TO BE HIS FACE, 907 00:42:36,088 --> 00:42:41,024 WHAT USED TO BE HIS BODY BEFORE IT GOT BURNED UP. 908 00:42:45,763 --> 00:42:47,796 MY ADVICE... 909 00:42:47,798 --> 00:42:49,831 TELL HIM. 910 00:42:49,832 --> 00:42:51,865 TELL HIM, "I'M SORRY, I'M NOT UP TO IT", 911 00:42:51,868 --> 00:42:53,667 "AND I FEEL LIKE HELL ABOUT IT, 912 00:42:53,669 --> 00:42:58,604 BUT IF I'M NOT UP TO IT, YOU DON'T NEED ME." 913 00:42:58,606 --> 00:42:59,972 YOU'RE TELLING ME TO TELL JEREMY 914 00:42:59,974 --> 00:43:03,941 WHEN YOU CAN'T MAN UP ENOUGH TO GIVE ME ANY COMFORT, 915 00:43:03,943 --> 00:43:05,275 TO TELL YOUR WIFE ABOUT US? 916 00:43:05,277 --> 00:43:09,011 CRYSTAL, ONE TIME DOESN'T MAKE AN "US." 917 00:43:09,013 --> 00:43:11,030 ARMY SCREWED JEREMY. 918 00:43:11,031 --> 00:43:13,048 BLACKTHORNE PUT ALL THOSE DOLLAR SIGNS IN OUR EYES, 919 00:43:13,050 --> 00:43:14,482 AND WHERE'S EVERYBODY NOW, 920 00:43:14,484 --> 00:43:15,883 FOR HIM OR FOR ME? 921 00:43:15,885 --> 00:43:17,851 YOU SCREWED ME WORSE THAN ANYBODY, 922 00:43:17,853 --> 00:43:20,754 'CAUSE I NEED SOMEONE RIGHT NOW, 923 00:43:20,755 --> 00:43:23,656 AND YOU'RE GETTIN' ALL RIGHTEOUS, WHICH WE BOTH KNOW IS A CROCK. 924 00:43:23,658 --> 00:43:26,492 YOU'RE THE SAME AS ME. 925 00:43:26,494 --> 00:43:28,160 YOU OWE ME NOW. 926 00:43:28,162 --> 00:43:30,695 YOU OWE ME WHAT I NEED. 927 00:43:30,697 --> 00:43:34,415 YEAH. NO, THAT DON'T CUT IT. 928 00:43:34,416 --> 00:43:38,134 YOU WEREN'T THINKING OF YOUR FAMILY WHEN YOU SLEPT WITH ME, MACK. 929 00:43:44,976 --> 00:43:46,875 I NEED YOU TO LEAVE. 930 00:43:46,877 --> 00:43:48,627 JUST THIS TIME, 931 00:43:48,628 --> 00:43:50,378 ONE TIME. I PROMISE NEVER AGAIN. 932 00:43:50,380 --> 00:43:52,980 I'M BEGGING YOU. ONE NIGHT. 933 00:43:52,982 --> 00:43:54,622 I'LL TELL TIFFY AND THE REST OF THE WIVES. 934 00:43:54,646 --> 00:43:57,750 YEAH, YOU DO THAT, YOU'LL LOSE THE ONLY SUPPORT SYSTEM THAT YOU HAVE. 935 00:43:57,752 --> 00:43:59,952 VENGEANCE AIN'T A MARKETABLE COMMODITY. 936 00:43:59,953 --> 00:44:02,153 IT'S NOT? WELL, ISN'T THAT WHAT YOU SELL FOR A LIVING? 937 00:44:02,156 --> 00:44:03,988 GET OUT. 938 00:44:05,858 --> 00:44:08,959 NOT GOING UNTIL YOU KISS ME. 939 00:44:12,664 --> 00:44:14,764 YES, YOU ARE. 940 00:44:15,066 --> 00:44:18,466 MACK, PLEASE.